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Cats
Cats is an award-winning musical composed by Andrew Lloyd Webber based on Old Possum's Book of Practical Cats by T. S. Eliot. The show has been performed around the world in numerous productions and has been translated into more than 20 languages. Cats has also been successfully made into a film recording.
Into the Woods
Into the Woods is an award-winning musical with music and lyrics by Stephen Sondheim and book by James Lapine. It debuted in San Diego at the Old Globe Theatre in 1986, and premiered on Broadway in 1987. Bernadette Peters' performance as the Witch, and Joanna Gleason's portrayal of the Baker's Wife, brought acclaim to the production during its original Broadway run. Into the Woods won several Tony Awards, including Best Score, Best Book, and Best Actress in a Musical (Joanna Gleason), in a year dominated by The Phantom of the Opera. The musical has been produced many times, with a 1988 national tour, a 1990 West End production, a 1991 television production, a 1997 tenth anniversary concert, a 2002 Los Angeles production and a 2002 Broadway revival.
Inspired by Bruno Bettelheim's 1976 book, The Uses of Enchantment, the musical intertwines the plots of several Brothers Grimm fairy tales and follows them further to explore the consequences of the characters' wishes and quests. The main characters are taken from the stories of Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, and Cinderella, tied together by a more original story involving a Baker and his wife and their quest to begin a family, most likely taken from the original story of Rapunzel by the Brothers Grimm. It also includes references to several other well-known tales.
Inspired by Bruno Bettelheim's 1976 book, The Uses of Enchantment, the musical intertwines the plots of several Brothers Grimm fairy tales and follows them further to explore the consequences of the characters' wishes and quests. The main characters are taken from the stories of Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, and Cinderella, tied together by a more original story involving a Baker and his wife and their quest to begin a family, most likely taken from the original story of Rapunzel by the Brothers Grimm. It also includes references to several other well-known tales.
Cabaret
Cabaret is a musical with a book by Joe Masteroff, lyrics by Fred Ebb, and music by John Kander. The 1966 Broadway production became a hit and spawned an acclaimed 1972 film as well as numerous subsequent productions.
Originally entitled Welcome to Berlin, it is based on John Van Druten's play I Am a Camera, which in turn was adapted from the novel Goodbye to Berlin, by Christopher Isherwood. Set in 1929-1930 Berlin on the eve of the Nazis' rise to power, it focuses on nightlife at the seedy Kit Kat Klub and mostly revolves around the English 19-year-old cabaret performer Sally Bowles and her relationship with young American writer, Cliff Bradshaw. A sub-plot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Emcee, who presides as master of ceremonies at the Kit Kat Klub and serves as a constant metaphor for the current state of society in Weimar Germany throughout the show.
Originally entitled Welcome to Berlin, it is based on John Van Druten's play I Am a Camera, which in turn was adapted from the novel Goodbye to Berlin, by Christopher Isherwood. Set in 1929-1930 Berlin on the eve of the Nazis' rise to power, it focuses on nightlife at the seedy Kit Kat Klub and mostly revolves around the English 19-year-old cabaret performer Sally Bowles and her relationship with young American writer, Cliff Bradshaw. A sub-plot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Emcee, who presides as master of ceremonies at the Kit Kat Klub and serves as a constant metaphor for the current state of society in Weimar Germany throughout the show.
Little Women
Little Women is a musical with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.
Based on Louisa May Alcott's classic 1869 semi-autobiographical novel, it focuses on the four March sisters - feisty, tomboyish, aspiring author Jo, romantic Meg, pretentious Amy, and kind-hearted Beth - and their beloved Marmee, at home in Concord, Massachusetts while the family patriarch is away serving as a Union Army chaplain during the Civil War. Intercut with the vignettes in which their lives unfold are several recreations of the melodramatic short stories Jo writes in her attic studio.
After 55 previews, the Broadway production, directed by Susan H. Schulman, opened on January 23, 2005 at the Virginia Theatre where, hampered by reviews ranging from lukewarm to abrasive, it closed after 137 performances.
The cast included Sutton Foster, Maureen McGovern, Janet Carroll, Jenny Powers, Megan McGinnis, Amy McAlexander, Danny Gurwin, Autumn Hurlburt and John Hickok.
Based on Louisa May Alcott's classic 1869 semi-autobiographical novel, it focuses on the four March sisters - feisty, tomboyish, aspiring author Jo, romantic Meg, pretentious Amy, and kind-hearted Beth - and their beloved Marmee, at home in Concord, Massachusetts while the family patriarch is away serving as a Union Army chaplain during the Civil War. Intercut with the vignettes in which their lives unfold are several recreations of the melodramatic short stories Jo writes in her attic studio.
After 55 previews, the Broadway production, directed by Susan H. Schulman, opened on January 23, 2005 at the Virginia Theatre where, hampered by reviews ranging from lukewarm to abrasive, it closed after 137 performances.
The cast included Sutton Foster, Maureen McGovern, Janet Carroll, Jenny Powers, Megan McGinnis, Amy McAlexander, Danny Gurwin, Autumn Hurlburt and John Hickok.
A Chorus Line
A Chorus Line is a musical about nineteen Broadway dancers auditioning for spots on a chorus line. The book was authored by James Kirkwood, Jr. and Nicholas Dante, lyrics were written by Edward Kleban, and music was composed by Marvin Hamlisch.
With nineteen main characters, it is set on the bare stage of a Broadway theatre during an audition for chorus line members of a musical. The show gives a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.
The original Broadway production was an unprecedented box office and critical hit, receiving 12 Tony Award nominations and winning nine of them, in addition to the 1976 Pulitzer Prize for Drama. It ran for 6,137 performances, becoming the longest-running production in Broadway history up to that time. It still remains as the longest running musical whose first performance originated in the United States. The show has enjoyed many successful productions worldwide and was revived on Broadway in 2006.
With nineteen main characters, it is set on the bare stage of a Broadway theatre during an audition for chorus line members of a musical. The show gives a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.
The original Broadway production was an unprecedented box office and critical hit, receiving 12 Tony Award nominations and winning nine of them, in addition to the 1976 Pulitzer Prize for Drama. It ran for 6,137 performances, becoming the longest-running production in Broadway history up to that time. It still remains as the longest running musical whose first performance originated in the United States. The show has enjoyed many successful productions worldwide and was revived on Broadway in 2006.
Sweeney Todd: The Demon Barber of Fleet Street
Sweeney Todd, the Demon Barber of Fleet Street: A Musical Thriller is a Tony Award-winning musical with a book by Hugh Wheeler and music and lyrics by Stephen Sondheim. The musical is based on the 19th century fictional character Sweeney Todd, though more specifically, the 1973 play Sweeney Todd, the Demon Barber of Fleet Street by Christopher Bond.
Sweeney Todd opened on Broadway at the Uris Theatre on March 1, 1979 and ran for 557 performances. It was directed by Harold Prince with musical staging by Larry Fuller, and starred Len Cariou as Sweeney Todd and Angela Lansbury as Mrs. Lovett. The musical tells the story of Sweeney Todd, who was previously known as Benjamin Barker, who returns from Australia where he has spent fifteen years on false charges. When he learns from Mrs. Lovett, whose meat pies are the worst in London, that his wife poisoned herself after being raped by Judge Turpin (the man who wrongly imprisoned him), and that his daughter is the ward of the same Judge Turpin, he vows revenge.
A feature film adaptation of Sweeney Todd, jointly produced by Dreamworks and Warner Bros., was released on December 21, 2007. Tim Burton directed from a screenplay by John Logan. It stars Johnny Depp as Todd (Depp received an Oscar nomination and a Golden Globe award for his performance), Helena Bonham Carter as Mrs. Lovett, Alan Rickman as Judge Turpin, Sacha Baron Cohen as Signor Pirelli, Jamie Campbell Bower as Anthony Hope, Laura Michelle Kelly as The Beggar Woman, Jayne Wisener as Johanna, Ed Sanders as Toby, and Timothy Spall as Beadle Bamford.
Sondheim's score is one of his most complex to date, with orchestrations by his long-time collaborator Jonathan Tunick. It relies heavily on counterpoint and rich, angular harmonies. Its compositional style has been compared to those of Maurice Ravel, Sergei Prokofiev, and Bernard Herrmann (who scored Alfred Hitchcock films). Sondheim also quotes the ancient Dies Irae Gregorian chant, both as part of the eponymous ballad that runs throughout the score, later heard in a musical inversion, and in the accompaniment to "Epiphany". He also relies heavily on leitmotif - at least twenty distinct ones can be identified throughout the score. Depending on how and where the show is presented, it is sometimes considered an opera. Sondheim himself has described the piece as a "black operetta." An original Broadway cast recording was released in 1979. It included the Judge's "Johanna" and the tooth-pulling contest from Act I, which had been cut in previews.
Sweeney Todd opened on Broadway at the Uris Theatre on March 1, 1979 and ran for 557 performances. It was directed by Harold Prince with musical staging by Larry Fuller, and starred Len Cariou as Sweeney Todd and Angela Lansbury as Mrs. Lovett. The musical tells the story of Sweeney Todd, who was previously known as Benjamin Barker, who returns from Australia where he has spent fifteen years on false charges. When he learns from Mrs. Lovett, whose meat pies are the worst in London, that his wife poisoned herself after being raped by Judge Turpin (the man who wrongly imprisoned him), and that his daughter is the ward of the same Judge Turpin, he vows revenge.
A feature film adaptation of Sweeney Todd, jointly produced by Dreamworks and Warner Bros., was released on December 21, 2007. Tim Burton directed from a screenplay by John Logan. It stars Johnny Depp as Todd (Depp received an Oscar nomination and a Golden Globe award for his performance), Helena Bonham Carter as Mrs. Lovett, Alan Rickman as Judge Turpin, Sacha Baron Cohen as Signor Pirelli, Jamie Campbell Bower as Anthony Hope, Laura Michelle Kelly as The Beggar Woman, Jayne Wisener as Johanna, Ed Sanders as Toby, and Timothy Spall as Beadle Bamford.
Sondheim's score is one of his most complex to date, with orchestrations by his long-time collaborator Jonathan Tunick. It relies heavily on counterpoint and rich, angular harmonies. Its compositional style has been compared to those of Maurice Ravel, Sergei Prokofiev, and Bernard Herrmann (who scored Alfred Hitchcock films). Sondheim also quotes the ancient Dies Irae Gregorian chant, both as part of the eponymous ballad that runs throughout the score, later heard in a musical inversion, and in the accompaniment to "Epiphany". He also relies heavily on leitmotif - at least twenty distinct ones can be identified throughout the score. Depending on how and where the show is presented, it is sometimes considered an opera. Sondheim himself has described the piece as a "black operetta." An original Broadway cast recording was released in 1979. It included the Judge's "Johanna" and the tooth-pulling contest from Act I, which had been cut in previews.
Little Shop of Horrors
Little Shop of Horrors is a rock musical by composer Alan Menken and writer Howard Ashman, about a nerdy florist shop worker who raises a plant that feeds on human blood. The musical was based on the low-budget 1960 black comedy The Little Shop of Horrors, directed by Roger Corman. The music, composed by Menken in the style of 1960s rock and roll, doo-wop and early Motown, included several show-stoppers including "Skid Row (Downtown)", "Somewhere That's Green", and "Suddenly, Seymour", as well as the title song.
In addition to the original long-running 1982 off-Broadway production and subsequent Broadway production, the musical has been performed all over the world, including in Buenos Aires, Sydney, Vienna, São Paulo, Toronto, Copenhagen, Helsinki, Paris, Berlin, Athens, Budapest, Reykjavík, Jerusalem, Rome, Tokyo, Zurich, Athens, Barcelona, Cologne, Mexico City, Auckland, Oslo, Singapore City, Johannesburg, Madrid, Stockholm, Seinajoki, Akureyri, Vaasa, and London. The musical was also performed in Bogota, Colombia in July 2008. Because of its small cast and relatively simple orchestrations, it has become popular with community theatre and high school groups. The musical was also made into a 1986 film of the same name, directed by Frank Oz.
In addition to the original long-running 1982 off-Broadway production and subsequent Broadway production, the musical has been performed all over the world, including in Buenos Aires, Sydney, Vienna, São Paulo, Toronto, Copenhagen, Helsinki, Paris, Berlin, Athens, Budapest, Reykjavík, Jerusalem, Rome, Tokyo, Zurich, Athens, Barcelona, Cologne, Mexico City, Auckland, Oslo, Singapore City, Johannesburg, Madrid, Stockholm, Seinajoki, Akureyri, Vaasa, and London. The musical was also performed in Bogota, Colombia in July 2008. Because of its small cast and relatively simple orchestrations, it has become popular with community theatre and high school groups. The musical was also made into a 1986 film of the same name, directed by Frank Oz.
High School Musical
High School Musical is an Emmy Award-winning American television film. Upon its release on January 20, 2006, it became the most successful Disney Channel Original Movie (DCOM) ever produced, with a television sequel High School Musical 2 released in 2007 and the feature film High School Musical 3: Senior Year to be released theatrically in October 2008. It will be the first Disney Channel Original movie to have a theatrical sequel. A fourth installment, High School Musical 4, has been announced to be in the writing stages.
High School Musical was Disney Channel's most watched movie at its time, with 7.7 million viewers in its premiere broadcast in the US. In the UK, it received 789,000 viewers for its premiere (and 1.2 million viewers overall during the first week), making it the second most watched program for the Disney Channel (UK) of 2006. It was also the first ever Disney Channel Original Movie to be broadcast on the BBC on December 29, 2006. The film's soundtrack was the best-selling album in the United States for 2006.
With a plot described by the author and numerous critics as a modern adaptation of Romeo & Juliet, High School Musical is a story about two high school juniors from rival cliques – Troy Bolton (Zac Efron), captain of the basketball team, and Gabriella Montez (Vanessa Hudgens), a beautiful and shy transfer student who excels in math and science. Together, they try out for the lead parts in their high school musical, and as a result, divide the school. Despite other students' attempts to thwart their dreams, Troy and Gabriella resist peer pressure and rivalry, inspiring others along the way not to "stick with the status quo."
High School Musical was filmed at East High School located in Salt Lake City, Utah, the auditorium of Murray High School, & Downtown Salt Lake City. Murray High School was also the set of: Take Down (1978), Read It and Weep (2006), Minutemen (2008) and High School Musical: Get in the Picture (2008).
High School Musical was Disney Channel's most watched movie at its time, with 7.7 million viewers in its premiere broadcast in the US. In the UK, it received 789,000 viewers for its premiere (and 1.2 million viewers overall during the first week), making it the second most watched program for the Disney Channel (UK) of 2006. It was also the first ever Disney Channel Original Movie to be broadcast on the BBC on December 29, 2006. The film's soundtrack was the best-selling album in the United States for 2006.
With a plot described by the author and numerous critics as a modern adaptation of Romeo & Juliet, High School Musical is a story about two high school juniors from rival cliques – Troy Bolton (Zac Efron), captain of the basketball team, and Gabriella Montez (Vanessa Hudgens), a beautiful and shy transfer student who excels in math and science. Together, they try out for the lead parts in their high school musical, and as a result, divide the school. Despite other students' attempts to thwart their dreams, Troy and Gabriella resist peer pressure and rivalry, inspiring others along the way not to "stick with the status quo."
High School Musical was filmed at East High School located in Salt Lake City, Utah, the auditorium of Murray High School, & Downtown Salt Lake City. Murray High School was also the set of: Take Down (1978), Read It and Weep (2006), Minutemen (2008) and High School Musical: Get in the Picture (2008).
Fiddler on the Roof
Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in csarist Russia in 1905.
Fiddler on the Roof was originally entitled Tevye. It is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem which he wrote in Yiddish and published in 1894. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each daughter's choice of husband moves progressively further away from established customs—and with the edict of the Tsar that evicts the Jews from their village.
The musical's title stems from a painting by Marc Chagall, one of many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through tradition and joyfulness, in a life of uncertainty and imbalance.
The original Broadway production of the show, which opened in 1964, was the first musical to surpass the 3,000 performance mark, and it held the record for longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production earned $1,574 for every dollar invested in it.
The show was highly acclaimed and nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography. It spawned four Broadway revivals, a successful 1971 film adaptation, and has enjoyed enduring international popularity. It is also a very popular choice for school and community productions.
Fiddler on the Roof was originally entitled Tevye. It is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem which he wrote in Yiddish and published in 1894. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each daughter's choice of husband moves progressively further away from established customs—and with the edict of the Tsar that evicts the Jews from their village.
The musical's title stems from a painting by Marc Chagall, one of many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through tradition and joyfulness, in a life of uncertainty and imbalance.
The original Broadway production of the show, which opened in 1964, was the first musical to surpass the 3,000 performance mark, and it held the record for longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production earned $1,574 for every dollar invested in it.
The show was highly acclaimed and nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography. It spawned four Broadway revivals, a successful 1971 film adaptation, and has enjoyed enduring international popularity. It is also a very popular choice for school and community productions.
Avenue Q
Avenue Q is a musical conceived by Robert Lopez and Jeff Marx, who wrote the music and lyrics, and directed by Jason Moore. The book is by Jeff Whitty. The show was produced by and opened at the Off-Broadway Vineyard Theatre in March 2003. The production transferred to Broadway in July 2003 and won several Tony Awards, including the award for Best Musical. It is still running on Broadway and holds the position of 26th longest running musical in Broadway history. The show has spawned a 2005 Las Vegas production, a 2006 West End production and various international productions. A U.S. national tour began in July 2007.
The show is largely inspired by (and is in the style of) Sesame Street: Most of the characters in the show are puppets (operated by actors onstage), the set depicts several tenements on a rundown street in an "outer borough" of New York City, both the live characters and puppet characters sing, and short animated video clips are played as part of the story. Also, several characters are recognizably parodies of classic Sesame Street characters: for example, the roommates Rod and Nicky are versions of Sesame Street's Bert and Ernie, and Trekkie Monster is based on Cookie Monster. However, the characters are in their twenties and thirties and face adult problems instead of those faced by pre-schoolers, thus making the show more suited for the adults who grew up with Sesame Street. The characters use profanity, and the songs concern adult themes (except the opening number). A recurring theme is the central character's search for a "purpose." Since the musical soundtrack for it was released, the song "The Internet is For Porn" has become particularly popular on websites such as YouTube and can be downloaded for free from the official website. According to the official site, the musical is appropriate for both adults and teenagers.
The show is largely inspired by (and is in the style of) Sesame Street: Most of the characters in the show are puppets (operated by actors onstage), the set depicts several tenements on a rundown street in an "outer borough" of New York City, both the live characters and puppet characters sing, and short animated video clips are played as part of the story. Also, several characters are recognizably parodies of classic Sesame Street characters: for example, the roommates Rod and Nicky are versions of Sesame Street's Bert and Ernie, and Trekkie Monster is based on Cookie Monster. However, the characters are in their twenties and thirties and face adult problems instead of those faced by pre-schoolers, thus making the show more suited for the adults who grew up with Sesame Street. The characters use profanity, and the songs concern adult themes (except the opening number). A recurring theme is the central character's search for a "purpose." Since the musical soundtrack for it was released, the song "The Internet is For Porn" has become particularly popular on websites such as YouTube and can be downloaded for free from the official website. According to the official site, the musical is appropriate for both adults and teenagers.
Jekyll & Hyde
Jekyll & Hyde is a Broadway musical based on the novel, The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. The original stage conception was by Steve Cuden and Frank Wildhorn. The music was composed by Wildhorn and the lyrics were written by Leslie Bricusse.
The show opened on Broadway on April 28, 1997. There were 44 preview performances starting on March 21. The show ran for 1,543 regular performances, closing on January 7, 2001 and is the longest-running show in the history of the Plymouth Theatre.
Despite the long run, the musical lost money in the end: more than $1.5 million.
The show has also been adapted into a film starring David Hasselhoff and Coleen Sexton. The film was directed by Don Roy King.
The show opened on Broadway on April 28, 1997. There were 44 preview performances starting on March 21. The show ran for 1,543 regular performances, closing on January 7, 2001 and is the longest-running show in the history of the Plymouth Theatre.
Despite the long run, the musical lost money in the end: more than $1.5 million.
The show has also been adapted into a film starring David Hasselhoff and Coleen Sexton. The film was directed by Don Roy King.
Ragtime
Ragtime is a musical with a book by Terrence McNally, lyrics by Lynn Ahrens, and music by Stephen Flaherty.
Based on the 1975 novel by E. L. Doctorow, Ragtime tells the story of three groups in America, represented by Coalhouse Walker Jr., a Harlem musician; Mother, the matriarch of a WASP family in New Rochelle, NY; and Tateh, a Latvian Jewish immigrant. Historical figures such as Houdini, Evelyn Nesbit, Booker T. Washington, J. P. Morgan, Henry Ford, Stanford White, Harry Kendall Thaw, Admiral Peary, Matthew Henson, and Emma Goldman also appear. The music includes marches, cakewalks, gospel and ragtime. The show is mostly sung-through, with very little spoken dialogue.
Based on the 1975 novel by E. L. Doctorow, Ragtime tells the story of three groups in America, represented by Coalhouse Walker Jr., a Harlem musician; Mother, the matriarch of a WASP family in New Rochelle, NY; and Tateh, a Latvian Jewish immigrant. Historical figures such as Houdini, Evelyn Nesbit, Booker T. Washington, J. P. Morgan, Henry Ford, Stanford White, Harry Kendall Thaw, Admiral Peary, Matthew Henson, and Emma Goldman also appear. The music includes marches, cakewalks, gospel and ragtime. The show is mostly sung-through, with very little spoken dialogue.
High School Musical 2
High School Musical 2 (also known as High School Musical 2: Sing It All Or Nothing!) is the sequel to the Disney Channel Original Movie, High School Musical. It debuted on August 17, 2007 on Disney Channel in the U.S., and on Family in Canada. The premiere brought in a total of 17.3 million viewers in the United States—almost 10 million more than its predecessor—making it, at the time, the highest-rated basic-cable broadcast in U.S. history.
Lestat
Lestat is a Broadway musical inspired by Anne Rice's The Vampire Chronicles.
This was the first theatrical score from the legendary songwriting team of Elton John and Bernie Taupin. Book by Linda Woolverton, and was directed by Robert Jess Roth with musical staging by Matt West.
The Broadway production opened on April 25, 2006 in the Palace Theater and closed on May 28, 2006.
The title role of Lestat was played by Hugh Panaro. The show was directed by Robert Jess Roth, who was a Tony Award nominee for his Broadway directorial debut for Beauty and the Beast, and also starred Carolee Carmello as Gabrielle, Drew Sarich as Armand, Jim Stanek as Louis, Roderick Hill as Nicolas, Michael Genet as Marius and Allison Fischer as Claudia.
Scenic design by Derek McLane, costume design by Susan Hilferty, lighting design by Kenneth Posner, sound design by Jonathan Deans, visual concept design by Dave McKean, and hair design by Tom Watson.
This was the first theatrical score from the legendary songwriting team of Elton John and Bernie Taupin. Book by Linda Woolverton, and was directed by Robert Jess Roth with musical staging by Matt West.
The Broadway production opened on April 25, 2006 in the Palace Theater and closed on May 28, 2006.
The title role of Lestat was played by Hugh Panaro. The show was directed by Robert Jess Roth, who was a Tony Award nominee for his Broadway directorial debut for Beauty and the Beast, and also starred Carolee Carmello as Gabrielle, Drew Sarich as Armand, Jim Stanek as Louis, Roderick Hill as Nicolas, Michael Genet as Marius and Allison Fischer as Claudia.
Scenic design by Derek McLane, costume design by Susan Hilferty, lighting design by Kenneth Posner, sound design by Jonathan Deans, visual concept design by Dave McKean, and hair design by Tom Watson.
Children of Eden
Children of Eden is a two-act musical play with music and lyrics by Stephen Schwartz based on a book by John Caird. The musical is loosely based on the Book of Genesis. Act I tells the story of Adam and Eve, Cain, and Abel, and Act II deals with Noah and the Flood. While using the Bible as a plot source, it freely deviates in many details, and is a story of parents and children without a specifically religious point-of-view. Though it had a very short run on London's West End and has never played Broadway, the show is extremely popular in community theatres worldwide. The show uses the same principals in both acts, with the actors each taking on a different character for the story of Noah.
Mamma Mia!
Mamma Mia! is a stage musical with a book by British playwright Catherine Johnson, based on the songs of ABBA, composed by Benny Andersson and Björn Ulvaeus. It is an example of a jukebox musical, and is notable for popularising the genre. The plot is adapted from the 1968 film Buona Sera, Mrs. Campbell starring Gina Lollobrigida.
Although the title of the musical is taken from the group's 1975 chart-topper "Mamma Mia", the musical's plot has nothing to do with the story of the group itself.
Björn Ulvaeus and Benny Andersson, who composed the original music for ABBA, have been involved in the development of the show from the beginning. Anni-Frid Lyngstad has been involved financially in the production, while Agnetha Fältskog has not, though she was present at the Swedish premiere and final show.
The musical includes such hits as "Super Trouper", "Dancing Queen", "Knowing Me, Knowing You", "Thank You for the Music", "Money, Money, Money", "The Winner Takes It All", "Voulez Vous", "I Have a Dream" and "SOS". It had been seen by over ten million people worldwide as of July 2003. Estimates of 2007, is that 30 million have now seen Mamma Mia!. Since its opening in 1999, the production has grossed US$2.0 billion in earnings.
A film version of Mamma Mia!, starring Meryl Streep, Colin Firth, Pierce Brosnan, Amanda Seyfried, Christine Baranski and Julie Walters began shooting in June 2007 and premiered in July 2008.
Although the title of the musical is taken from the group's 1975 chart-topper "Mamma Mia", the musical's plot has nothing to do with the story of the group itself.
Björn Ulvaeus and Benny Andersson, who composed the original music for ABBA, have been involved in the development of the show from the beginning. Anni-Frid Lyngstad has been involved financially in the production, while Agnetha Fältskog has not, though she was present at the Swedish premiere and final show.
The musical includes such hits as "Super Trouper", "Dancing Queen", "Knowing Me, Knowing You", "Thank You for the Music", "Money, Money, Money", "The Winner Takes It All", "Voulez Vous", "I Have a Dream" and "SOS". It had been seen by over ten million people worldwide as of July 2003. Estimates of 2007, is that 30 million have now seen Mamma Mia!. Since its opening in 1999, the production has grossed US$2.0 billion in earnings.
A film version of Mamma Mia!, starring Meryl Streep, Colin Firth, Pierce Brosnan, Amanda Seyfried, Christine Baranski and Julie Walters began shooting in June 2007 and premiered in July 2008.
Grease
Grease is a film directed by Randal Kleiser and based on Jim Jacobs' and Warren Casey's musical, Grease. The film stars John Travolta, Olivia Newton-John, Stockard Channing, Jeff Conaway, and Eve Arden. It was originally released to theatres on June 16, 1978. It was filmed at Venice High School in Venice, California. It was released in the U.S. on VHS during the 1980s; the latest VHS release was June 23, 1998 as 20th Anniversary Edition following a theatrical re-release that March. On September 24, 2002, it was released on DVD for the first time. On September 19, 2006, it was re-released on DVD as the Rockin' Rydell Edition, which includes a black Rydell High T-Bird jacket cover or the Target-exclusive Pink Ladies cover.
Seussical
Seussical is a musical based on the books of Dr. Seuss that debuted on Broadway in 2000. The play's story is a rather complex amalgamation of many of Seuss's most famous books. After an unsuccessful Broadway run, the production spawned two US National Tours and has become a favorite for community and regional theatres.
Wicked
Wicked is a musical with songs and lyrics by Stephen Schwartz and a book by Winnie Holzman. The story is based on the best-selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, a parallel novel of L. Frank Baum's classic story The Wonderful Wizard of Oz from the perspective of the witches of the Land of Oz.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Bugsy Malone
Bugsy Malone is a 1976 musical film, very loosely based on events in Chicago, Illinois in the Prohibition era, specifically, the exploits of gangsters like Al Capone as dramatized in cinema. The tongue-in-cheek movie stars children as the gangsters and their molls, toning down the subject matter sufficiently to receive a "G" rating. The plot concerns the manufacture of a brand of custard, which is used first in cream-topped pies (being hit with one in the face "kills" the character) then later in "splurge guns" that enable the dessert to be deployed on an unprecedented level. The musical centers on Fat Sam's Grand Slam speakeasy.
Written and directed by Alan Parker produced by Alan Marshall with executive producer David Puttnam, the film stars Scott Baio as the title character, with Jodie Foster in the role of Fat Sam's moll Tallulah. The music and lyrics are by singer-songwriter Paul Williams. All the songs on the soundtrack were actually performed by adults, including Williams himself, in his unmistakable high-pitched voice, and lip-synched by the cast. To commemorate its 30th anniversary, the film was re-released in limited cinemas in the UK on December 8, 2006.
Written and directed by Alan Parker produced by Alan Marshall with executive producer David Puttnam, the film stars Scott Baio as the title character, with Jodie Foster in the role of Fat Sam's moll Tallulah. The music and lyrics are by singer-songwriter Paul Williams. All the songs on the soundtrack were actually performed by adults, including Williams himself, in his unmistakable high-pitched voice, and lip-synched by the cast. To commemorate its 30th anniversary, the film was re-released in limited cinemas in the UK on December 8, 2006.
Thoroughly Modern Millie
Thoroughly Modern Millie is a Tony Award-winning musical with music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. Based on the 1967 film of the same name, Thoroughly Modern Millie tells the story of a small-town girl, Millie Dillmount, who comes to New York City to marry for money instead of love – a thoroughly modern aim in 1922, when women were just entering the workforce. Millie soon begins to take to delight in the flapper lifestyle, but problems arise when she checks into a hotel owned by the leader of a white slavery ring in China.
The original production of the comic pastiche, directed by Michael Mayer, underwent several workshops in New York and performances at the La Jolla Playhouse in San Diego, California, before ultimately opening on Broadway on April 15, 2002. The production subsequently won six 2002 Tony Awards, including Best Musical. Due to the success of the original Broadway production, both a United States tour and a West End production launched in 2003, followed by a United Kingdom tour in 2005. The musical has become a very popular choice for high school productions.
The original production of the comic pastiche, directed by Michael Mayer, underwent several workshops in New York and performances at the La Jolla Playhouse in San Diego, California, before ultimately opening on Broadway on April 15, 2002. The production subsequently won six 2002 Tony Awards, including Best Musical. Due to the success of the original Broadway production, both a United States tour and a West End production launched in 2003, followed by a United Kingdom tour in 2005. The musical has become a very popular choice for high school productions.
Miss Saigon
Miss Saigon is a West End musical by Claude-Michel Schönberg and Alain Boublil, with lyrics by Boublil and Richard Maltby, Jr. It premiered at the Theatre Royal, Drury Lane, in London on September 20, 1989, closing after 4,264 performances on October 30, 1999. On April 11, 1991, it opened at the Broadway Theatre in New York City, and closed on January 28, 2001 after 4,092 performances. The musical represented Schönberg and Boublil's second major success, following Les Misérables in 1980. As of August 2007, Miss Saigon is still the 10th longest-running Broadway musical in musical theatre history.
Miss Saigon is a modern adaptation of Giacomo Puccini's opera Madame Butterfly, and similarly tells the tragic tale of a doomed romance involving an Asian woman abandoned by her American lover. The setting of the plot is relocated to the 1970s Saigon during the Vietnam War, and Madame Butterfly's American Lieutenant and Japanese geisha coupling is replaced by a romance between an American GI and a Vietnamese bar girl.
The show's inspiration was reportedly a photograph, inadvertently found by Schönberg in a magazine. The photo showed a Vietnamese mother leaving her child at a departure gate at Tan Son Nhut Air Base to board a plane headed for the United States where her father, an ex-GI, would be in a position to provide a much better life for the child. Schönberg considered this mother's actions for her child to be "The Ultimate Sacrifice," an idea central to the plot of Miss Saigon.
Highlights of the show include the evacuation of the last Americans in Saigon from the Embassy roof by helicopter while a crowd of abandoned Vietnamese scream their despair, the victory parade of the new communist regime and the frenzied night club scene on the edge of defeat.
Miss Saigon was part of the major British influence on Broadway in the 1980s, along with the musicals Cats, The Phantom of the Opera, and Les Misérables.
Miss Saigon is a modern adaptation of Giacomo Puccini's opera Madame Butterfly, and similarly tells the tragic tale of a doomed romance involving an Asian woman abandoned by her American lover. The setting of the plot is relocated to the 1970s Saigon during the Vietnam War, and Madame Butterfly's American Lieutenant and Japanese geisha coupling is replaced by a romance between an American GI and a Vietnamese bar girl.
The show's inspiration was reportedly a photograph, inadvertently found by Schönberg in a magazine. The photo showed a Vietnamese mother leaving her child at a departure gate at Tan Son Nhut Air Base to board a plane headed for the United States where her father, an ex-GI, would be in a position to provide a much better life for the child. Schönberg considered this mother's actions for her child to be "The Ultimate Sacrifice," an idea central to the plot of Miss Saigon.
Highlights of the show include the evacuation of the last Americans in Saigon from the Embassy roof by helicopter while a crowd of abandoned Vietnamese scream their despair, the victory parade of the new communist regime and the frenzied night club scene on the edge of defeat.
Miss Saigon was part of the major British influence on Broadway in the 1980s, along with the musicals Cats, The Phantom of the Opera, and Les Misérables.
The King and I
The King and I is a musical by Richard Rodgers and Oscar Hammerstein II. Its script is based on the book Anna and the King of Siam by Margaret Landon. The plot comes from the story written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' story, The English Governess at the Siamese Court, was autobiographical, although its objective accuracy is questionable; in Thailand, the possession of anything related to Anna and the King of Siam or The King and I is illegal, because of the historical inaccuracies about the King of Siam.
The musical opened on Broadway in 1951 and was the sixth collaboration for the team of Rodgers and Hammerstein. It ran for 1,246 performances, winning the Tony Award for Best Musical, among other awards. It spawned numerous revivals and a popular 1956 film version.
The best-known songs from the musical are probably "I Whistle a Happy Tune," "Getting to Know You," "Hello, Young Lovers," and "Shall We Dance?" The most colorful number in the musical, visually (to Western audiences), is the ballet "Small House of Uncle Thomas," choreographed by Jerome Robbins.
Rodgers and Hammerstein knew they were writing for stars — Gertrude Lawrence and Yul Brynner, the original Broadway leads — who were primarily actors rather than singers. Therefore, they reserved the sweeping, more challenging melodies for the characters of Tuptim and Lun Tha and kept the songs sung by the other leads simple.
Mary Martin, who had starred in South Pacific by Rodgers and Hammerstein a few years previously, was an investor in The King and I. When Gertrude Lawrence wanted to have a song with the children, Martin suggested that Rodgers and Hammerstein write new lyrics for "Suddenly Lovely," which had been cut out from South Pacific. The song then became "Getting to Know You."
The musical opened on Broadway in 1951 and was the sixth collaboration for the team of Rodgers and Hammerstein. It ran for 1,246 performances, winning the Tony Award for Best Musical, among other awards. It spawned numerous revivals and a popular 1956 film version.
The best-known songs from the musical are probably "I Whistle a Happy Tune," "Getting to Know You," "Hello, Young Lovers," and "Shall We Dance?" The most colorful number in the musical, visually (to Western audiences), is the ballet "Small House of Uncle Thomas," choreographed by Jerome Robbins.
Rodgers and Hammerstein knew they were writing for stars — Gertrude Lawrence and Yul Brynner, the original Broadway leads — who were primarily actors rather than singers. Therefore, they reserved the sweeping, more challenging melodies for the characters of Tuptim and Lun Tha and kept the songs sung by the other leads simple.
Mary Martin, who had starred in South Pacific by Rodgers and Hammerstein a few years previously, was an investor in The King and I. When Gertrude Lawrence wanted to have a song with the children, Martin suggested that Rodgers and Hammerstein write new lyrics for "Suddenly Lovely," which had been cut out from South Pacific. The song then became "Getting to Know You."
Oliver!
Oliver! is a British musical, with music and lyrics by Lionel Bart. It first appeared in the West End in 1960, enjoying a long run, and was made into a film directed by Carol Reed in 1968.
The musical is loosely based upon the novel Oliver Twist by Charles Dickens. That it was the first musical adaptation of a Charles Dickens work to become a stage hit was one of the reasons why it attracted such attention. There had been two previous Dickens musicals in the 1950s, both of them television adaptations of A Christmas Carol, but the dramatic story of Oliver Twist was the first Dickens work to be presented as a successful stage musical. Another reason for the success of the musical was the revolving stage set, an innovation designed by Sean Kenny.
The show launched the careers of several child actors, including Davy Jones, later of The Monkees; Phil Collins, later of Genesis; and Tony Robinson, who later played the role of Baldrick in the television series Black Adder. The singer Steve Marriott (Small Faces, Humble Pie) also featured in early line-ups, eventually graduating to the role of Artful Dodger in the West End production.
The plot of Dickens's original novel is considerably simplified for the purposes of the musical, with Fagin being represented more as a comic character than as a villain, and large portions of the latter part of the story being completely left out. Although Dickens' novel has been called antisemitic in its portrayal of the Jew Fagin as evil, the production by Bart (himself a Jew) featured many Jewish actors in leading roles: Ron Moody (Ronald Moodnik), Georgia Brown (Lilian Klot), and Martin Horsey.
The musical is loosely based upon the novel Oliver Twist by Charles Dickens. That it was the first musical adaptation of a Charles Dickens work to become a stage hit was one of the reasons why it attracted such attention. There had been two previous Dickens musicals in the 1950s, both of them television adaptations of A Christmas Carol, but the dramatic story of Oliver Twist was the first Dickens work to be presented as a successful stage musical. Another reason for the success of the musical was the revolving stage set, an innovation designed by Sean Kenny.
The show launched the careers of several child actors, including Davy Jones, later of The Monkees; Phil Collins, later of Genesis; and Tony Robinson, who later played the role of Baldrick in the television series Black Adder. The singer Steve Marriott (Small Faces, Humble Pie) also featured in early line-ups, eventually graduating to the role of Artful Dodger in the West End production.
The plot of Dickens's original novel is considerably simplified for the purposes of the musical, with Fagin being represented more as a comic character than as a villain, and large portions of the latter part of the story being completely left out. Although Dickens' novel has been called antisemitic in its portrayal of the Jew Fagin as evil, the production by Bart (himself a Jew) featured many Jewish actors in leading roles: Ron Moody (Ronald Moodnik), Georgia Brown (Lilian Klot), and Martin Horsey.
The Light in the Piazza
The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel.
Based on a novella by Elizabeth Spencer, it is set in Florence and Rome in the summer of 1953. A young American tourist, Clara Johnson, meets and falls for young Italian Fabrizio Naccarelli. When Clara's mother Margaret learns of the affair, she opposes it for reasons that only gradually become known to the audience.
The score breaks from the traditional Broadway sound of hummable tunes by veering into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is lushly scored for piano, harp, guitar, and strings, alongside a handful of wind and percussionists. The lyrics are unique in that many of them are in Italian and broken English, as many of the characters are fluent only in Italian.
Based on a novella by Elizabeth Spencer, it is set in Florence and Rome in the summer of 1953. A young American tourist, Clara Johnson, meets and falls for young Italian Fabrizio Naccarelli. When Clara's mother Margaret learns of the affair, she opposes it for reasons that only gradually become known to the audience.
The score breaks from the traditional Broadway sound of hummable tunes by veering into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is lushly scored for piano, harp, guitar, and strings, alongside a handful of wind and percussionists. The lyrics are unique in that many of them are in Italian and broken English, as many of the characters are fluent only in Italian.
Bat Boy
Bat Boy is a fictional creature who made several appearances in the defunct supermarket tabloid Weekly World News. The Weekly World News published patently fabricated stories which were purported to be factual. Within the pages of the paper, Bat Boy is described as a creature who is 'half human and half bat'. His pursuers, according to Weekly World News are scientists and United States government officials; he is frequently captured, then later makes a daring escape.
Bat Boy was created by former Weekly World News Editor Dick Kulpa. He debuted as a cover story on June 23, 1992. The original front-page photo of Bat Boy, showing his grotesque screaming face, was the second-best selling issue in the tabloid's history, and he has since evolved into a pop-culture icon. The story of Bat Boy was turned into an acclaimed off-Broadway musical, Bat Boy: The Musical.
Bat Boy was created by former Weekly World News Editor Dick Kulpa. He debuted as a cover story on June 23, 1992. The original front-page photo of Bat Boy, showing his grotesque screaming face, was the second-best selling issue in the tabloid's history, and he has since evolved into a pop-culture icon. The story of Bat Boy was turned into an acclaimed off-Broadway musical, Bat Boy: The Musical.
Aida
Aida is a musical drama in two acts based on Giuseppe Verdi's Italian-language opera by the same name, which is based on a story by Auguste Mariette which is based on Shakespeare's Romeo and Juliet. The musical was produced by Hyperion Theatricals, a unit within Disney Theatrical, with music by Elton John, lyrics by Tim Rice, and book by Linda Woolverton, Robert Falls, and David Henry Hwang.
Elaborate Lives: The Legend of Aida had its world premiere at the Alliance Theatre in Atlanta, Georgia with the production running from September 16 to November 8, 1998. A new, revised production opened on November 12, 1999 at the Cadillac Palace in Chicago. The Broadway production, titled Elton John and Tim Rice's Aida, ran at the Palace Theatre from March 23, 2000 to September 4, 2004 for a total of 1,852 performances (and 30 previews). There was also produced a national tour and several international productions. Aida has recently become popular among school and community theaters. Licensing of these amateur productions of Aida is through Music Theatre International.
Elaborate Lives: The Legend of Aida had its world premiere at the Alliance Theatre in Atlanta, Georgia with the production running from September 16 to November 8, 1998. A new, revised production opened on November 12, 1999 at the Cadillac Palace in Chicago. The Broadway production, titled Elton John and Tim Rice's Aida, ran at the Palace Theatre from March 23, 2000 to September 4, 2004 for a total of 1,852 performances (and 30 previews). There was also produced a national tour and several international productions. Aida has recently become popular among school and community theaters. Licensing of these amateur productions of Aida is through Music Theatre International.
Once on This Island
Once on This Island is a one-act musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. Based on the novel My Love, My Love by Rosa Guy, the musical is a retelling of Hans Christian Andersen's The Little Mermaid set in the French Antilles in the Caribbean Sea. The show also includes elements of the Romeo and Juliet story.
Originally staged at off-Broadway's Playwrights Horizons, the Broadway production, directed and choreographed by Graciela Daniele and starring LaChanze as Ti Moune, opened on October 18, 1990 at the Booth Theatre, where it ran for 469 performances. In 2002, the original cast was reunited with special guest Lillias White to perform the show for Broadway Cares/Equity Fights AIDS and the Cantor Fitzgerald Relief Fund.
Originally staged at off-Broadway's Playwrights Horizons, the Broadway production, directed and choreographed by Graciela Daniele and starring LaChanze as Ti Moune, opened on October 18, 1990 at the Booth Theatre, where it ran for 469 performances. In 2002, the original cast was reunited with special guest Lillias White to perform the show for Broadway Cares/Equity Fights AIDS and the Cantor Fitzgerald Relief Fund.
The Wizard of Oz
The Wizard of Oz is a 1939 American musical-fantasy film mainly directed by Victor Fleming and based on the 1900 children’s novel The Wonderful Wizard of Oz by L. Frank Baum. The film features Judy Garland as Dorothy Gale, Ray Bolger as the Scarecrow, Jack Haley as the Tin Man, Bert Lahr as the Cowardly Lion, Billie Burke as Glinda the Good Witch of the North, Margaret Hamilton as the Wicked Witch of the West, and Frank Morgan as the Wizard.
The film follows schoolgirl Dorothy Gale who lives on a Kansas farm with her Aunt Em and Uncle Henry, but dreams of a better place "somewhere over the rainbow." After being struck unconscious during a tornado by a piece of broken window, Dorothy dreams that she, her dog Toto, and the farmhouse are transported to the magical Land of Oz. There, the Good Witch of the North Glinda advises Dorothy to follow the yellow brick road to Emerald City and meet the Wizard of Oz, who can return her to Kansas. During her journey, she meets a Scarecrow, Tin Man and a Cowardly Lion, who join her, hoping to receive what they lack themselves (a brain, a heart, and courage, respectively), all of this is done while also trying to avoid the many plots of the Wicked Witch of the West, in her attempt to get the ruby slippers that Dorothy received from the squashed Wicked Witch of the East.
The Wizard of Oz is widely noted for its musical selections and soundtrack. The songs from The Wizard of Oz became widely popular, with "Over the Rainbow" receiving the Academy Award for Best Original Song, and the film itself garnering several Academy Award nominations, including Best Picture.
The film follows schoolgirl Dorothy Gale who lives on a Kansas farm with her Aunt Em and Uncle Henry, but dreams of a better place "somewhere over the rainbow." After being struck unconscious during a tornado by a piece of broken window, Dorothy dreams that she, her dog Toto, and the farmhouse are transported to the magical Land of Oz. There, the Good Witch of the North Glinda advises Dorothy to follow the yellow brick road to Emerald City and meet the Wizard of Oz, who can return her to Kansas. During her journey, she meets a Scarecrow, Tin Man and a Cowardly Lion, who join her, hoping to receive what they lack themselves (a brain, a heart, and courage, respectively), all of this is done while also trying to avoid the many plots of the Wicked Witch of the West, in her attempt to get the ruby slippers that Dorothy received from the squashed Wicked Witch of the East.
The Wizard of Oz is widely noted for its musical selections and soundtrack. The songs from The Wizard of Oz became widely popular, with "Over the Rainbow" receiving the Academy Award for Best Original Song, and the film itself garnering several Academy Award nominations, including Best Picture.
Marry Me A Little
Marry Me A Little is a musical with lyrics and music by Stephen Sondheim. Conceived by Craig Lucas and Norman René, it set songs cut from Sondheim's better-known musicals to a simple dialogue-free plot about the relationship between two people who are in an emotional conflict during an evening in their one-room apartment.
The musical originally was staged by the off-off-Broadway Production Company. It opened on October 29, 1980 and closed December 28, 1980. It re-opened March 12, 1981 at the off-Broadway Actor's Playhouse, where it ran for 96 performances. Directed by Rene and choreographed by Don Johanson, it starred Craig Lucas and Suzanne Henry.
The musical originally was staged by the off-off-Broadway Production Company. It opened on October 29, 1980 and closed December 28, 1980. It re-opened March 12, 1981 at the off-Broadway Actor's Playhouse, where it ran for 96 performances. Directed by Rene and choreographed by Don Johanson, it starred Craig Lucas and Suzanne Henry.
Crazy for You
Crazy for You is a musical with a book by Ken Ludwig, lyrics by Ira Gershwin, and music by George Gershwin. Billed as “The New Gershwin Musical Comedy”, it is largely based on the songwriting team’s 1930 production, Girl Crazy, and interpolates songs from several other productions as well. Crazy for You won the 1992 Tony Award for Best Musical.
Jane Eyre
Jane Eyre is a musical drama with music by composer-lyricist Paul Gordon and a book by John Caird, based on the novel by Charlotte Brontë.
The premiere of the musical took place in Wichita, Kansas in the autumn of 1995. Minor roles and the large ensemble of schoolgirls for the scenes at Brocklehurst's school were cast locally, while the directors brought several members of the principal cast from New York. The musical was well received, and a recording of this rendition allowed the creative team and their backers to slowly move the project towards an opening on Broadway.
The musical debuted at the Brooks Atkinson Theatre on November 9, 2000, with an official opening on December 10, 2000. It enjoyed 36 previews and 209 regular performances before closing on June 10, 2001. Marla Schaffel, who played the title character, won a Drama Desk Award for her performance. The production was directed by John Caird and Scott Schwartz, with choreography by Jayne Paterson.
A revised version is currently in the works, with an expected regional debut in the 2008 or 2009 season.
The premiere of the musical took place in Wichita, Kansas in the autumn of 1995. Minor roles and the large ensemble of schoolgirls for the scenes at Brocklehurst's school were cast locally, while the directors brought several members of the principal cast from New York. The musical was well received, and a recording of this rendition allowed the creative team and their backers to slowly move the project towards an opening on Broadway.
The musical debuted at the Brooks Atkinson Theatre on November 9, 2000, with an official opening on December 10, 2000. It enjoyed 36 previews and 209 regular performances before closing on June 10, 2001. Marla Schaffel, who played the title character, won a Drama Desk Award for her performance. The production was directed by John Caird and Scott Schwartz, with choreography by Jayne Paterson.
A revised version is currently in the works, with an expected regional debut in the 2008 or 2009 season.
Charlie Brown
Charles "Charlie" Brown is the main character in the comic strip Peanuts by Charles M. Schulz.
Saturday Night Fever
Saturday Night Fever is a 1977 film starring John Travolta as Tony Manero, a troubled Brooklyn youth whose weekend activities are dominated by visits to a local discothèque. While in the disco, Tony is the king, and the visits help him to temporarily forget the reality of his life: a dead-end job, clashes with his unsupportive and squabbling parents, tensions in the local community, and his associations with a gang of dead-beat friends.
A huge commercial success, the movie significantly helped to popularize disco music around the world and made Travolta a household name. The Saturday Night Fever soundtrack, featuring disco songs by the Bee Gees, became the best selling soundtrack at that time and held the record until 1999 when soundtrack to The Bodyguard overtook it. The film is also notable for being one of the first instances of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release.
The story is based upon a 1976 New York magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night." In the late-1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about. The characters who were to become Tony Manero and his friends sprang almost completely from his imagination. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies, haute-couture styles of clothing, sexual promiscuity, and graceful choreography.
A huge commercial success, the movie significantly helped to popularize disco music around the world and made Travolta a household name. The Saturday Night Fever soundtrack, featuring disco songs by the Bee Gees, became the best selling soundtrack at that time and held the record until 1999 when soundtrack to The Bodyguard overtook it. The film is also notable for being one of the first instances of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release.
The story is based upon a 1976 New York magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night." In the late-1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about. The characters who were to become Tony Manero and his friends sprang almost completely from his imagination. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies, haute-couture styles of clothing, sexual promiscuity, and graceful choreography.