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Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Shchedrin
Rodion Konstantinovich Shchedrin (Russian: Родио́н Константи́нович Щедри́н, Scientific transliteration: Rodion Konstantinovič Ščedrin, Russian pronunciation: ; born December 16, 1932) is a Russian composer. He was one оf the leading Soviet composers, and was the chairman of the Union of Russian Composers from 1973 until 1990.
Rubinstein
Anton Grigorevich Rubinstein (Russian: Анто́н Григо́рьевич Рубинште́йн, tr. Anton Grigor'evič Rubinštejn) (November 28 1829 – November 20 1894) was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos. He also founded the Saint Petersburg Conservatory, which, together with Moscow Conservatory founded by his brother Nikolai Rubinstein, helped establish a reputation for musical skill among the subjects of the Tsar of Russia.
Prokofiev
Sergei Sergeyevich Prokofiev (Russian: Сергей Сергеевич Прокофьев; Ukrainian: Сергій Сергійович Прокоф'єв) (27 April 1891 – 5 March 1953) was a Russian composer, pianist and conductor who mastered numerous musical genres and came to be admired as one of the greatest composers of the 20th century.
Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. In 1938, he conducted the Moscow Philharmonic Orchestra in a recording of the second suite from his Romeo and Juliet ballet; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the First Violin Concerto with David Oistrakh as soloist; Everest Records later released this recording on an LP.
Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. In 1938, he conducted the Moscow Philharmonic Orchestra in a recording of the second suite from his Romeo and Juliet ballet; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the First Violin Concerto with David Oistrakh as soloist; Everest Records later released this recording on an LP.
Khachaturian
Aram Khachaturian (June 6, 1903–May 1, 1978) was a Soviet-Armenian composer whose works were often influenced by Armenian folk music.
Khachaturian’s works include concertos for violin (also transcribed for flute), cello, and piano (the latter originally including an early part for the flexatone), concerto-rhapsodies for the same instruments, three symphonies—the third containing parts for fifteen additional trumpets and organ, and the ballets Spartak (AKA Spartacus) and Gayane (the adagio was used in Stanley Kubrick’s film 2001: A Space Odyssey). The latter ballet features in its final act what is probably his most famous movement, the “Sabre Dance.” He also wrote some piano music such as the song "Two Ladies Gossiping," a quick and lively song.
He also composed some film music and incidental music for plays such as the 1941 production of Mikhail Lermontov’s Masquerade. The cinematic quality of his music for Spartacus was clearly seen when it was used as the theme for a popular BBC drama series, The Onedin Line, during the 1970s. Since then, it has become one of the most popular of all classical pieces for UK audiences. Joel Coen’s The Hudsucker Proxy also prominently featured music from Spartacus and Gayane (Sabre Dance included) mixed with the original compositions by Carter Burwell. He was also the composer for the state anthem of the Armenian SSR, whose tune is one of the five current choices to become the next state anthem of Armenia. The climax of Spartacus’ second movement was also used in Ice Age: The Meltdown.
Khachaturian’s works include concertos for violin (also transcribed for flute), cello, and piano (the latter originally including an early part for the flexatone), concerto-rhapsodies for the same instruments, three symphonies—the third containing parts for fifteen additional trumpets and organ, and the ballets Spartak (AKA Spartacus) and Gayane (the adagio was used in Stanley Kubrick’s film 2001: A Space Odyssey). The latter ballet features in its final act what is probably his most famous movement, the “Sabre Dance.” He also wrote some piano music such as the song "Two Ladies Gossiping," a quick and lively song.
He also composed some film music and incidental music for plays such as the 1941 production of Mikhail Lermontov’s Masquerade. The cinematic quality of his music for Spartacus was clearly seen when it was used as the theme for a popular BBC drama series, The Onedin Line, during the 1970s. Since then, it has become one of the most popular of all classical pieces for UK audiences. Joel Coen’s The Hudsucker Proxy also prominently featured music from Spartacus and Gayane (Sabre Dance included) mixed with the original compositions by Carter Burwell. He was also the composer for the state anthem of the Armenian SSR, whose tune is one of the five current choices to become the next state anthem of Armenia. The climax of Spartacus’ second movement was also used in Ice Age: The Meltdown.
Pachelbel
Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Kabalevsky
Dmitry Borisovich Kabalevsky (Russian: Дми́трий Бори́сович Кабале́вский; December 30, 1904 – February 18, 1987) was a Russian Soviet composer.
Kabalevsky is regarded as one of the great modern composers of children's music. He helped to set up the Union of Soviet Composers in Moscow and remained one of its leading figures. He was also a prolific composer of piano music and chamber music, many of his piano works have been performed by the likes of Vladimir Horowitz, and are regarded as highly innovative, suffusing influences from jazz structure like that of the latter Nikolai Kapustin and symbolic minimalism along the lines of Alemdar Karamanov's Concerto No. 3 for piano and orchestra.
Kabalevsky is regarded as one of the great modern composers of children's music. He helped to set up the Union of Soviet Composers in Moscow and remained one of its leading figures. He was also a prolific composer of piano music and chamber music, many of his piano works have been performed by the likes of Vladimir Horowitz, and are regarded as highly innovative, suffusing influences from jazz structure like that of the latter Nikolai Kapustin and symbolic minimalism along the lines of Alemdar Karamanov's Concerto No. 3 for piano and orchestra.
Liszt
Franz Liszt (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher.
Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.
Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.