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George Winston
George Winston (born 1949) is an American pianist who was born in Michigan, and grew up in Miles City, Montana, and Mississippi. He is a graduate of Stetson University in Deland, Florida and lives in Santa Monica, California. Many of his pieces, self-described as "Rural Folk Piano", evoke the essence of a season and reflect natural landscapes. He performs in the new age genre. He also is known for his tribute album of Vince Guaraldi's compositions for the Peanuts animations.
Spandau Ballet
Spandau Ballet was a popular British band in the 1980s. Initially inspired by a mixture of funk and synthpop, the group eventually mellowed into a mainstream pop act.
Members:
Tony Hadley
Gary Kemp
Martin Kemp
Steve Norman
John Keeble
Members:
Tony Hadley
Gary Kemp
Martin Kemp
Steve Norman
John Keeble
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Ludovico Einaudi
Ludovico Einaudi (born 23 November 1955) is an Italian contemporary classical music composer and pianist.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Rimsky-Korsakoff
Nikolai Andreyevich Rimsky-Korsakov, also Nikolay, Nicolai, and Rimsky-Korsakoff, (18 March 1908) was a Russian composer, one of Russian composers known as "The Five", and was later a teacher of harmony and orchestration. He is particularly noted for a predilection for folk and fairy-tale subjects, and for his extraordinary skill in orchestration, which may have been influenced by his synesthesia. The first part of his surname, Rimsky, is due to the fact that some of his forefathers undertook a pilgrimage to Rome.
Like his compatriot Cui, he expended his greatest efforts on his 15 operas. Subjects range from historical melodramas (The Tsar's Bride) to folk operas (May Night) to fairytales and legends (Snowmaiden, Kashchey the Immortal and The Tale of Tsar Saltan). In juxtaposed depictions of real and fantastic, the operas invoke folk melodies, realistic declamation, lyrical melodies, and artificially-constructed harmonies with effective orchestral expression. Most of Rimsky-Korsakov's operas remain in the standard repertoire in Russia to this day. While the operas themselves are not well-known in the West, many selections are familiar to Western audiences. These excerpts include "The Dance of the Tumblers" from Snowmaiden, "Procession of the Nobles" from Mlada, "Song of the Indian Guest" (or, less accurately, "Song of India,") from Sadko, and "Flight of the Bumblebee" from Tsar Saltan, as well as suites from The Golden Cockerel and The Legend of the Invisible City of Kitezh and the Maiden Fevroniya.
Rimsky-Korsakov's status in the West has long been based on his orchestral compositions. Best known among these are Capriccio espagnol, Russian Easter Festival Overture, and the symphonic suite Scheherazade. Scheherazade is often cited as a textbook example of Russian orientalism. Likewise, while Capriccio espagnol could be considered a continuation of Glinka's Spanish Fantasies pittoresques, the vibrancy of Rimsky-Korsakov's orchestration far outshines Glinka's effort. It also served as a model for Maurice Ravel's Rapsodie espagnole.
Smaller-scaled works include dozens of art songs, arrangements of folk songs, some chamber and piano music, and a considerable number of choral works, both secular and for Russian Orthodox Church service, including settings of portions of the Liturgy of St. John Chrysostom (the latter despite his staunch atheism).
Like his compatriot Cui, he expended his greatest efforts on his 15 operas. Subjects range from historical melodramas (The Tsar's Bride) to folk operas (May Night) to fairytales and legends (Snowmaiden, Kashchey the Immortal and The Tale of Tsar Saltan). In juxtaposed depictions of real and fantastic, the operas invoke folk melodies, realistic declamation, lyrical melodies, and artificially-constructed harmonies with effective orchestral expression. Most of Rimsky-Korsakov's operas remain in the standard repertoire in Russia to this day. While the operas themselves are not well-known in the West, many selections are familiar to Western audiences. These excerpts include "The Dance of the Tumblers" from Snowmaiden, "Procession of the Nobles" from Mlada, "Song of the Indian Guest" (or, less accurately, "Song of India,") from Sadko, and "Flight of the Bumblebee" from Tsar Saltan, as well as suites from The Golden Cockerel and The Legend of the Invisible City of Kitezh and the Maiden Fevroniya.
Rimsky-Korsakov's status in the West has long been based on his orchestral compositions. Best known among these are Capriccio espagnol, Russian Easter Festival Overture, and the symphonic suite Scheherazade. Scheherazade is often cited as a textbook example of Russian orientalism. Likewise, while Capriccio espagnol could be considered a continuation of Glinka's Spanish Fantasies pittoresques, the vibrancy of Rimsky-Korsakov's orchestration far outshines Glinka's effort. It also served as a model for Maurice Ravel's Rapsodie espagnole.
Smaller-scaled works include dozens of art songs, arrangements of folk songs, some chamber and piano music, and a considerable number of choral works, both secular and for Russian Orthodox Church service, including settings of portions of the Liturgy of St. John Chrysostom (the latter despite his staunch atheism).
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Rossini
Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) was a popular Italian composer who created 39 operas as well as sacred music and chamber music. His best known works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola and Guillaume Tell (William Tell).
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Mussorgsky
Modest Petrovich Mussorgsky (March 21, 1839 – March 28, 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Diana Krall
Diana Jean Krall, (born November 16, 1964) is a Canadian jazz pianist and singer.
Krall was born into a musical family in Nanaimo, British Columbia, Canada. She began learning the piano at the age of four. In high school, she started playing in a small jazz group. When she was 15 she started playing regularly in several Nanaimo restaurants.
At age seventeen she won a scholarship from the Vancouver International Jazz Festival to study at the Berklee College of Music in Boston, and completed three terms.
In Nanaimo her playing attracted the attention of famed bass player Ray Brown (ex-husband of the late Ella Fitzgerald, long-time member of the Oscar Peterson Trio and Grammy-winning composer) and drummer Jeff Hamilton. After hearing her play, Brown and Hamilton persuaded Krall to move to Los Angeles, and study with pianist Jimmy Rowles, with whom she began to sing. This also brought her into contact with influential teachers and producers. In 1990, Krall relocated to New York.
Krall was born into a musical family in Nanaimo, British Columbia, Canada. She began learning the piano at the age of four. In high school, she started playing in a small jazz group. When she was 15 she started playing regularly in several Nanaimo restaurants.
At age seventeen she won a scholarship from the Vancouver International Jazz Festival to study at the Berklee College of Music in Boston, and completed three terms.
In Nanaimo her playing attracted the attention of famed bass player Ray Brown (ex-husband of the late Ella Fitzgerald, long-time member of the Oscar Peterson Trio and Grammy-winning composer) and drummer Jeff Hamilton. After hearing her play, Brown and Hamilton persuaded Krall to move to Los Angeles, and study with pianist Jimmy Rowles, with whom she began to sing. This also brought her into contact with influential teachers and producers. In 1990, Krall relocated to New York.
Ray Charles
Raymond Charles Robinson (September 23, 1930 â June 10, 2004), known by his stage name Ray Charles, was an American pianist and singer who shaped the sound of rhythm and blues. He brought a soulful sound to country music, pop standards, and a rendition of "America the Beautiful" that Ed Bradley of 60 Minutes called the "definitive version of the song, an American anthem â a classic, just as the man who sung it." Frank Sinatra called him "the only true genius in the business" and in 2004, Rolling Stone Magazine ranked Charles #10 on their list of the 100 Greatest Artists of All Time.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature.
He died on June 10, 2004 of hepatocellular carcinoma (liver cancer) at his home in Beverly Hills, California, surrounded by family and friends. His body was interred in the Inglewood Park Cemetery in Inglewood, California. His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature.
He died on June 10, 2004 of hepatocellular carcinoma (liver cancer) at his home in Beverly Hills, California, surrounded by family and friends. His body was interred in the Inglewood Park Cemetery in Inglewood, California. His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis.
Dean Martin
Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor, television personality, and comedian. He was one of the most well known musical artists of the 1950s and 1960s. Martin's hit singles included the songs "Memories Are Made Of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and "Ain't That A Kick In The Head?". One of the organizers of The Rat Pack, he was a major star in four areas of show business: concert stage, recordings, motion pictures, and television.
Adele
Adele Laurie Blue Adkins (born 5 May 1988 in Enfield, North London), She is the first recipient of the Brit Awards Critics' Choice, which was given to artists who, at the time, had yet to release an album. She debuted at number one with her Mercury Prize nominated debut album 19 in the UK album chart and has since then been certified platinum with sales over 500,000 copies.
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 â May 24, 1974) was an American composer, pianist, and bandleader.
Recognized during his life as one of the most influential figures in jazz, if not in all American music, Ellington's reputation has increased since his death, including a special award citation from the Pulitzer Prize Board.
Ellington called his style and sound "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category", including many of the musicians who served with his orchestra, some of whom were themselves considered among the giants of jazz and remained with Ellington's orchestra for decades. While many were noteworthy in their own right, it was Ellington that melded them into one of the most well-known orchestral units in the history of jazz. He often composed specifically for the style and skills of these individuals, such as "Jeep's Blues" for Johnny Hodges, "Concerto for Cootie" ("Do Nothing Till You Hear from Me") for Cootie Williams and "The Mooche" for Tricky Sam Nanton. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan" and "Perdido" which brought the "Spanish Tinge" to big-band jazz. After 1941, he frequently collaborated with composer-arranger Billy Strayhorn, who he called his alter-ego.
One of the twentieth century's best-known African-American celebrities, Ellington recorded for many American record companies, and appeared in several films. Ellington and his orchestra toured the United States and Europe regularly before and after World War II. Ellington led his band from 1923 until his death in 1974. His son Mercer Ellington took over the band until his death from cancer in 1996. Paul Ellington, Mercer's youngest son, took over the Orchestra from there and after his mother's passing took over the Estate of Duke and Mercer Ellington.
Recognized during his life as one of the most influential figures in jazz, if not in all American music, Ellington's reputation has increased since his death, including a special award citation from the Pulitzer Prize Board.
Ellington called his style and sound "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category", including many of the musicians who served with his orchestra, some of whom were themselves considered among the giants of jazz and remained with Ellington's orchestra for decades. While many were noteworthy in their own right, it was Ellington that melded them into one of the most well-known orchestral units in the history of jazz. He often composed specifically for the style and skills of these individuals, such as "Jeep's Blues" for Johnny Hodges, "Concerto for Cootie" ("Do Nothing Till You Hear from Me") for Cootie Williams and "The Mooche" for Tricky Sam Nanton. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan" and "Perdido" which brought the "Spanish Tinge" to big-band jazz. After 1941, he frequently collaborated with composer-arranger Billy Strayhorn, who he called his alter-ego.
One of the twentieth century's best-known African-American celebrities, Ellington recorded for many American record companies, and appeared in several films. Ellington and his orchestra toured the United States and Europe regularly before and after World War II. Ellington led his band from 1923 until his death in 1974. His son Mercer Ellington took over the band until his death from cancer in 1996. Paul Ellington, Mercer's youngest son, took over the Orchestra from there and after his mother's passing took over the Estate of Duke and Mercer Ellington.
Eva Cassidy
Eva Marie Cassidy (February 2, 1963 – November 2, 1996) was an American vocalist known for her interpretations of jazz, blues, folk, gospel, country and pop classics. She released her first album The Other Side, a set of duets with go-go musician Chuck Brown in 1992 followed by a live solo album, Live at Blues Alley in 1996. Cassidy was virtually unknown outside her native Washington, DC when she died of melanoma in 1996.
Four years later, Cassidy's music was brought to the attention of UK audiences when her versions of "Over the Rainbow" and "Fields of Gold" were played on BBC Radio 2. Following the overwhelming response, a camcorder recording of "Over the Rainbow" taken at the Blues Alley was shown on BBC Two's Top of the Pops 2. Shortly after, the compilation album Songbird, climbed to the top of the UK Albums Charts, almost three years after its initial release. The chart success in the United Kingdom led to increased recognition worldwide; as of 2003, her posthumously released recordings, including three UK #1s, have sold around six million copies. Her music has also charted top 10 positions in Australia, Germany, Sweden, Norway and Switzerland.
Four years later, Cassidy's music was brought to the attention of UK audiences when her versions of "Over the Rainbow" and "Fields of Gold" were played on BBC Radio 2. Following the overwhelming response, a camcorder recording of "Over the Rainbow" taken at the Blues Alley was shown on BBC Two's Top of the Pops 2. Shortly after, the compilation album Songbird, climbed to the top of the UK Albums Charts, almost three years after its initial release. The chart success in the United Kingdom led to increased recognition worldwide; as of 2003, her posthumously released recordings, including three UK #1s, have sold around six million copies. Her music has also charted top 10 positions in Australia, Germany, Sweden, Norway and Switzerland.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Kenny G
Kenneth Gorelick (born June 5, 1956), better known by his stage name Kenny G, is an American saxophonist whose fourth album, Duotones, brought him "breakthrough success" in 1986. Kenny's main instrument is the soprano saxophone, but he also plays the alto and tenor saxophone and the flute on occasion.
As of 2003, Kenny G was named the 25th-highest selling artist in America by the RIAA, with 48 million albums sold in the USA as of July 31, 2006. In 1994, Kenny G won the Grammy Award for Best Instrumental Composition for Forever in Love.
As of 2003, Kenny G was named the 25th-highest selling artist in America by the RIAA, with 48 million albums sold in the USA as of July 31, 2006. In 1994, Kenny G won the Grammy Award for Best Instrumental Composition for Forever in Love.
Gary Jules
Gary Jules (born March 19, 1969 in Fresno, California as Gary Jules Aguirre) is an American singer-songwriter, best known for his cover of Tears for Fears' third single "Mad World", which he recorded together with friend Michael Andrews for the cult film Donnie Darko. It became the UK Christmas Number One single of 2003. Since then it has been used on popular American TV shows, and most recently in the commercial for the Xbox 360 video game Gears of War.
Some of his early projects / bands were The Ivory Knights, Our Town Pansies, Woodenfish, Kofi, The Origin, "Invisible", "No poetry," and "Heroes and Heroin."
Some of his early projects / bands were The Ivory Knights, Our Town Pansies, Woodenfish, Kofi, The Origin, "Invisible", "No poetry," and "Heroes and Heroin."
Nat King Cole
Nathaniel Adams Coles (March 17, 1919 â February 15, 1965), known professionally as Nat King Cole, was an American musician.
Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
Anastasia
Anastasia is an Academy Award nominated American animated feature musical film produced and directed by Don Bluth and Gary Goldman at Fox Animation Studios, and was released on November 14, 1997 by 20th Century Fox.
The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
Cinderella
Cinderella is a 1950 animated feature produced by Walt Disney, and released to theaters on February 15, 1950 by RKO Radio Pictures. The twelfth animated feature in the Disney animated features canon, the film was directed by Clyde Geronimi, Hamilton Luske and Wilfred Jackson, based the fairy tale "Cinderella" by Charles Perrault. Songs were written by Mack David, Jerry Livingston, and Al Hoffman. Songs in the film include "A Dream Is a Wish Your Heart Makes", "Bibbidi-Bobbidi-Boo", "So This Is Love", "Sing Sweet Nightingale", "The Work Song", and "Cinderella."
The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo".
The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo".
Corpse Bride
Tim Burton's Corpse Bride (often abbreviated as Corpse Bride) is a 2005 stop-motion-animation film based loosely on a 19th century Russian-Jewish folktale version of an older Jewish story and set in a fictional Victorian era village. It was directed by Tim Burton and Mike Johnson, and filmed at 3 Mills Studios in London. Johnny Depp led an all-star cast as the voice of Victor and Helena Bonham Carter (for whom the project was specially created) as the voice of the title character. This is the first animated film in which Johnny Depp has been a voice actor. The film's initial release was two weeks prior to that of Wallace & Gromit: The Curse of the Were-Rabbit, marking the first time that a stop-motion animated film and a claymation animated one were in simultaneous wide theatrical release. Interestingly, both films feature the voice of Helena Bonham Carter in a lead role and a character named Victor. Coincidentally, Burton's first stop-motion film, The Nightmare Before Christmas was released the same year as Nick Park's The Wrong Trousers.
The film was nominated in the 78th Academy Awards for Best Animated Feature. It lost to Wallace & Gromit: The Curse of the Were-Rabbit.
The film is dedicated to the memory of Joe Ranft.
The movie exhibits Burton's trademark style and recurring themes (the complex interaction between light and darkness, and of being caught between two irreconcilable worlds). Life is portrayed as boring and dully gray tinted while death is more fun, as evidenced by the brighter colors and jaunty music. The movie can be particularly compared to The Nightmare Before Christmas, Burton's previous stop-motion feature project (directed by Henry Selick and based on a Tim Burton poem, which Corpse Bride director Mike Johnson worked on as an animator) and Beetlejuice, especially in the scenes depicting the underworld and its deceased denizens. The studio intentionally emphasized the links, as some commercials for Corpse Bride were accompanied by songs from The Nightmare Before Christmas (specifically, "What's This"); also, in an issue of Disney Adventures, Emily (the title character) was compared to The Nightmare Before Christmas's Sally, despite the stark contrasts in personality between the outspoken, free-spirited Emily and the quiet, timid Sally. The Corpse Bride is also considered to be the spiritual successor of The Nightmare Before Christmas.
Most of the characters in the film bear a strong resemblance to the original cast of the British period drama Upstairs, Downstairs. In the "Special Features" section of the DVD, Tim Burton states that the films' setting pays tribute to the series, with the Land of the Living being the "upstairs", and the Land of the Dead being the "downstairs".
The film was nominated in the 78th Academy Awards for Best Animated Feature. It lost to Wallace & Gromit: The Curse of the Were-Rabbit.
The film is dedicated to the memory of Joe Ranft.
The movie exhibits Burton's trademark style and recurring themes (the complex interaction between light and darkness, and of being caught between two irreconcilable worlds). Life is portrayed as boring and dully gray tinted while death is more fun, as evidenced by the brighter colors and jaunty music. The movie can be particularly compared to The Nightmare Before Christmas, Burton's previous stop-motion feature project (directed by Henry Selick and based on a Tim Burton poem, which Corpse Bride director Mike Johnson worked on as an animator) and Beetlejuice, especially in the scenes depicting the underworld and its deceased denizens. The studio intentionally emphasized the links, as some commercials for Corpse Bride were accompanied by songs from The Nightmare Before Christmas (specifically, "What's This"); also, in an issue of Disney Adventures, Emily (the title character) was compared to The Nightmare Before Christmas's Sally, despite the stark contrasts in personality between the outspoken, free-spirited Emily and the quiet, timid Sally. The Corpse Bride is also considered to be the spiritual successor of The Nightmare Before Christmas.
Most of the characters in the film bear a strong resemblance to the original cast of the British period drama Upstairs, Downstairs. In the "Special Features" section of the DVD, Tim Burton states that the films' setting pays tribute to the series, with the Land of the Living being the "upstairs", and the Land of the Dead being the "downstairs".
The Little Mermaid
The Little Mermaid is a 1989 animated feature produced by Walt Disney Feature Animation with pencil test began on September 23, 1988 and first released on November 17, 1989 by Walt Disney Pictures with the first Wallace and Gromit short film, A Grand Day Out. The twenty-eighth animated feature in the Disney animated features canon, the film is based on the Hans Christian Andersen fairy tale "The Little Mermaid." During its initial release, it grossed over $84 million in the United States and an additional $99 million internationally.
The film is given credit for breathing life back into the animated feature film genre after a string of critical and commercial failures that had dated to the early 1980s. It also marked the start of the era known as Disney Renaissance.
A stage adaptation of the film with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway.
The Little Mermaid: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 1989 animated feature The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The album received the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score.
In October 2006, a new two-disc special edition version of the soundtrack was released to correspond with the two-disc Platinum Edition DVD release of The Little Mermaid. The first disc remains identical to the original release, yet with remastered audio, while the newly added second disc is composed of various newly recorded version of the film's songs by different artists, such as Ashley Tisdale, Raven-Symoné, The Jonas Brothers, and Jessica Simpson. It also includeds two videos, as well as new cover art.
The film is given credit for breathing life back into the animated feature film genre after a string of critical and commercial failures that had dated to the early 1980s. It also marked the start of the era known as Disney Renaissance.
A stage adaptation of the film with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway.
The Little Mermaid: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 1989 animated feature The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The album received the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score.
In October 2006, a new two-disc special edition version of the soundtrack was released to correspond with the two-disc Platinum Edition DVD release of The Little Mermaid. The first disc remains identical to the original release, yet with remastered audio, while the newly added second disc is composed of various newly recorded version of the film's songs by different artists, such as Ashley Tisdale, Raven-Symoné, The Jonas Brothers, and Jessica Simpson. It also includeds two videos, as well as new cover art.
Charlie Brown
Charles "Charlie" Brown is the main character in the comic strip Peanuts by Charles M. Schulz.
Mulan
Mulan is a 1998 animated feature film produced by Walt Disney Feature Animation, and released by Walt Disney Pictures on June 19, 1998. The thirty-sixth animated feature in the Disney animated features canon, the film is based on the Chinese legend of Hua Mulan, and was the first of three produced primarily at the animation studio at Disney-MGM Studios in Orlando, Florida. It was directed by Tony Bancroft and Barry Cook, with the story by Robert D. San Souci and Rita Hsiao, among others. The film was part of the Disney Renaissance that began in 1989.
Ratatouille
Ratatouille is a 2007 computer-animated family film produced by Pixar and distributed by Walt Disney Pictures. The film was the eighth movie produced by Pixar, and was directed by Brad Bird, who took over from Jan Pinkava in 2005. It was released on June 29, 2007 in the United States, to both critical acclaim and box office success. The title refers to a French dish which is served in the film, and is also a play on words on the species of the main character.
Ratatouille is the original soundtrack album, on the Disney label, of the 2007 Academy Award-winning animated feature Ratatouille. The album is composed by Michael Giacchino. "Le Festin", sung by French musician and vocalist Camille, was nominated for a World Soundtrack Award in 2007 and is the film's only song with vocals. On the CD edition of the soundtrack, the song appears as the album's first track with the remaining 23 tracks orchestral in nature.
The entire score was nominated for "Best Original Score" at the 80th Academy Awards.
Ratatouille is the original soundtrack album, on the Disney label, of the 2007 Academy Award-winning animated feature Ratatouille. The album is composed by Michael Giacchino. "Le Festin", sung by French musician and vocalist Camille, was nominated for a World Soundtrack Award in 2007 and is the film's only song with vocals. On the CD edition of the soundtrack, the song appears as the album's first track with the remaining 23 tracks orchestral in nature.
The entire score was nominated for "Best Original Score" at the 80th Academy Awards.
Snow White and the Seven Dwarfs
Snow White and the Seven Dwarfs is a 1937 American film based on the eponymous European fairy tale by the Brothers Grimm. It was the first full length animated feature to be produced by Walt Disney, and the first American animated feature film in movie history.
Walt Disney's Snow White premiered at the Carthay Circle Theater on December 21, 1937, and the film was released to theaters by RKO Radio Pictures on February 4, 1938. The story was adapted by storyboard artists Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb Smith from the German fairy tale Snow White by the Brothers Grimm. David Hand was the supervising director, while William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, and Ben Sharpsteen directed the film's individual sequences.
Snow White was one of only two animated films to rank in the American Film Institute's list of the 100 greatest American films of all time in 1997 (the other being Disney's Fantasia), ranking number 49. It achieved a higher ranking (#34) in the list's 2007 update, this time being the only traditionally animated film on the list. The following year AFI would name the film as the the greatest animated film of all time
In 1989, Snow White and the Seven Dwarfs was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant."
Snow White and the Seven Dwarfs, the soundtrack to the 1937 Walt Disney film, was the first commercially issued film soundtrack. It was released in January 1938 as Songs from Walt Disney's Snow White and the Seven Dwarfs (with the Same Characters and Sound Effects as in the Film of That Title) and has since seen numerous expansions and reissues.
Walt Disney's Snow White premiered at the Carthay Circle Theater on December 21, 1937, and the film was released to theaters by RKO Radio Pictures on February 4, 1938. The story was adapted by storyboard artists Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb Smith from the German fairy tale Snow White by the Brothers Grimm. David Hand was the supervising director, while William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, and Ben Sharpsteen directed the film's individual sequences.
Snow White was one of only two animated films to rank in the American Film Institute's list of the 100 greatest American films of all time in 1997 (the other being Disney's Fantasia), ranking number 49. It achieved a higher ranking (#34) in the list's 2007 update, this time being the only traditionally animated film on the list. The following year AFI would name the film as the the greatest animated film of all time
In 1989, Snow White and the Seven Dwarfs was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant."
Snow White and the Seven Dwarfs, the soundtrack to the 1937 Walt Disney film, was the first commercially issued film soundtrack. It was released in January 1938 as Songs from Walt Disney's Snow White and the Seven Dwarfs (with the Same Characters and Sound Effects as in the Film of That Title) and has since seen numerous expansions and reissues.
The Legend of Zelda
The Legend of Zelda (Zeruda no Densetsu) is a high fantasy action-adventure video game series created by game designer Shigeru Miyamoto and developed and published by Nintendo. The gameplay consists of a mixture of action, adventure, puzzle solving, role-playing and occasional platforming, stealth and racing elements. The series centers on Link, the main playable character and protagonist. Link is often given the task of rescuing Princess Zelda and the most common setting of the series, Hyrule, from Ganon who is the primary antagonist of the series. However, other settings and antagonists have appeared throughout the games, with Vaati having recently become the series' secondary antagonist. The story commonly involves a relic known as the Triforce, a set of three golden triangles of omnipotence. The protagonist in each game is not always the same iteration of Link, although the same character sometimes appears across multiple games.
The Legend of Zelda series has sold over 52 million copies since the release of the first game, The Legend of Zelda, and continues to be successful worldwide. The series consists of fourteen official games on all of Nintendo's major consoles, as well as several spin-offs. An animated series based on the games aired in 1989, and individual manga adaptions which are officially endorsed and commissioned by Nintendo have been produced in Japan since 1997.
The Legend of Zelda series has sold over 52 million copies since the release of the first game, The Legend of Zelda, and continues to be successful worldwide. The series consists of fourteen official games on all of Nintendo's major consoles, as well as several spin-offs. An animated series based on the games aired in 1989, and individual manga adaptions which are officially endorsed and commissioned by Nintendo have been produced in Japan since 1997.
Rurouni Kenshin
Rurouni Kenshin: Meiji Swordsman Romantic Story is a Japanese manga series written and illustrated by Nobuhiro Watsuki with an anime adaptation. The fictional setting takes place during the early Meiji period in Japan. The story is about a fictional assassin named Himura Kenshin, formerly known as the "Hitokiri Battōsai" ("Hitokiri Battōsai"? or "Battosai the Manslayer" in the English dub). Kenshin later grieves for all the lives he has taken, and vows that he will never kill again.
The manga initially appeared in Shueisha's Weekly Shōnen Jump from September 2, 1994, to November 4, 1999. The complete work consists of 28 tankōbon volumes which have sold over 47 million copies in Japan as of 2007. The United States release of the manga has been completed by Viz Media. Rurouni Kenshin is subtitled "Wandering Samurai" in some English releases, as a rough translation of "Rurouni." The English-language versions of the OVAs as well the film is released as Samurai X, although the original title was included in the DVD releases. Writer Kaoru Shizuka has written an official Rurouni Kenshin novel titled Voyage to the Moon World. The novel has been translated by Viz and distributed in the United States and Canada.
All of the series music was composed by Noriyuki Asakura and several CDs have been released by Sony Records. The first, Rurouni Kenshin OST 1 was released on April 1, 1996 and contained twenty-three songs that were used during the first episodes of the series. The second one, Rurouni Kenshin OST 2 - Departure was released on October 21, 1996 and contained fifteen tracks that were first used before the start of the Kyoto Arc. The next one, Rurouni Kenshin OST 3 - Journey to Kyoto was released on April 21, 1997 and contained the thirteen tracks that originally used in the Kyoto Arc. For the next arc, Rurouni Kenshin OST 4 - Let it Burn was released on February 1, 1998 and contained twelve tracks.
The manga initially appeared in Shueisha's Weekly Shōnen Jump from September 2, 1994, to November 4, 1999. The complete work consists of 28 tankōbon volumes which have sold over 47 million copies in Japan as of 2007. The United States release of the manga has been completed by Viz Media. Rurouni Kenshin is subtitled "Wandering Samurai" in some English releases, as a rough translation of "Rurouni." The English-language versions of the OVAs as well the film is released as Samurai X, although the original title was included in the DVD releases. Writer Kaoru Shizuka has written an official Rurouni Kenshin novel titled Voyage to the Moon World. The novel has been translated by Viz and distributed in the United States and Canada.
All of the series music was composed by Noriyuki Asakura and several CDs have been released by Sony Records. The first, Rurouni Kenshin OST 1 was released on April 1, 1996 and contained twenty-three songs that were used during the first episodes of the series. The second one, Rurouni Kenshin OST 2 - Departure was released on October 21, 1996 and contained fifteen tracks that were first used before the start of the Kyoto Arc. The next one, Rurouni Kenshin OST 3 - Journey to Kyoto was released on April 21, 1997 and contained the thirteen tracks that originally used in the Kyoto Arc. For the next arc, Rurouni Kenshin OST 4 - Let it Burn was released on February 1, 1998 and contained twelve tracks.
Hillsong United
The Hillsong United band is an Australian rock and worship band, a part of Hillsong Church's youth ministry Hillsong United. Their music is a contemporary style of praise and worship tempered with mainstream rock.
Current members of the Hillsong United band include Jonathon Douglass (J.D.), Jadwin "Jad" Gillies, Holly Watson, Annie Garratt, Bec Gillies, and Michelle Fragar, daughter of Russell Fragar. Michael Guy Chislett plays guitar and Matthew Tennikoff plays bass guitar. Former original drummer Luke Munns made a transition from the drums to front the rock/indie band LUKAS. Popular New Zealand artist Brooke Fraser recently joined the band when she joined the church, first appearing on United We Stand.
The annual Hillsong United CD/DVD was recorded over many years during their October youth conference Encounterfest, with the album released in the first quarter of the following year. The 2007 album All of the Above was the first album to be fully studio recorded, containing videos of songs on the DVD. The band has toured in a number of countries, leading worship to thousands in North and South America, Europe and Asia.
Current members of the Hillsong United band include Jonathon Douglass (J.D.), Jadwin "Jad" Gillies, Holly Watson, Annie Garratt, Bec Gillies, and Michelle Fragar, daughter of Russell Fragar. Michael Guy Chislett plays guitar and Matthew Tennikoff plays bass guitar. Former original drummer Luke Munns made a transition from the drums to front the rock/indie band LUKAS. Popular New Zealand artist Brooke Fraser recently joined the band when she joined the church, first appearing on United We Stand.
The annual Hillsong United CD/DVD was recorded over many years during their October youth conference Encounterfest, with the album released in the first quarter of the following year. The 2007 album All of the Above was the first album to be fully studio recorded, containing videos of songs on the DVD. The band has toured in a number of countries, leading worship to thousands in North and South America, Europe and Asia.
Amy Grant
Amy Lee Grant (born November 25, 1960 in Augusta, Georgia) is an American singer-songwriter, best known for her Contemporary Christian Music and pop music, and a New York Times Bestselling author, TV personality, and occasional actress.
Grant is considered one of the true pioneers of Gospel and Contemporary Christian music..
Grant is considered one of the true pioneers of Gospel and Contemporary Christian music..
Songs for a New World
Songs for a New World is a work of musical theater written and composed by Jason Robert Brown. Its original off-Broadway production ran for 28 performances at the WPA Theater in New York City in 1995. The show sits on the boundary between musical and song cycle, but it is neither; it is an abstract musical, a series of songs all connected by theme rather than narrative. The show employs four performers who do not literally play the same characters throughout the show but who do have consistently developing character arcs nonetheless. It is far more than a revue or song cycle but it's not a standard narrative book musical. Composer Jason Robert Brown has said of his show, "It's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back."
The original cast consisted of Brooks Ashmanskas, Andrea Burns, Jessica Molaskey, and Billy Porter (Porter's part was sung by Ty Taylor on the original cast recording). Daisy Prince, daughter of Broadway director Harold Prince directed. The original band consisted of Jason Robert Brown on piano, Randy Landau on bass, Tom Partington on drums, Joe Reina on keyboards, and Warren Smith & Rob McEwan on percussion. Songs for a New World was Jason Robert Brown's first produced show.
The piano features heavily throughout the show's music and because of its small cast and orchestra, Songs for a New World has become a favorite small show for colleges and local theatres, despite its vocally demanding score. The music of Songs for a New World is heavily influenced by a broad range of musical genres, including pop, gospel, jazz and classical music. Many of the songs combine elements of two or more of these genres. Some of the songs reference well-known historical and fictional characters, including Martin Luther King Jr., Mrs. Santa Claus, and Betsy Ross.
The original cast consisted of Brooks Ashmanskas, Andrea Burns, Jessica Molaskey, and Billy Porter (Porter's part was sung by Ty Taylor on the original cast recording). Daisy Prince, daughter of Broadway director Harold Prince directed. The original band consisted of Jason Robert Brown on piano, Randy Landau on bass, Tom Partington on drums, Joe Reina on keyboards, and Warren Smith & Rob McEwan on percussion. Songs for a New World was Jason Robert Brown's first produced show.
The piano features heavily throughout the show's music and because of its small cast and orchestra, Songs for a New World has become a favorite small show for colleges and local theatres, despite its vocally demanding score. The music of Songs for a New World is heavily influenced by a broad range of musical genres, including pop, gospel, jazz and classical music. Many of the songs combine elements of two or more of these genres. Some of the songs reference well-known historical and fictional characters, including Martin Luther King Jr., Mrs. Santa Claus, and Betsy Ross.
Les Miserables
Les Misérables, colloquially known as Les Mis or Les Miz, is a musical composed in 1980 by the French composer Claude-Michel Schönberg with a libretto by Alain Boublil. Sung through, it is perhaps the most famous of all French musicals and one of the most performed musicals worldwide. On October 8, 2006, the show celebrated its 21st anniversary and became the longest-running West End musical in history and is still running (though it has changed venues).
Among the most famous songs of this Tony award-winning musical are "I Dreamed a Dream", "One Day More", "A Heart Full of Love", "Stars", "Bring Him Home", "Do You Hear the People Sing?", "Master of the House", and "On My Own."
The musical is based on the 1862 novel Les Misérables by Victor Hugo. Set in early 19th century France, it follows the intertwining stories of a cast of characters as they struggle for redemption and revolution. The characters include a paroled convict named Jean Valjean who, failing attempts to find work as an honest man with his yellow ticket of leave, breaks his parole and conceals his identity; the police inspector Javert who becomes obsessed with finding Valjean; Fantine, the single mother who is forced to become a prostitute to support her daughter; Cosette, who eventually falls in love with a French student named Marius Pontmercy. After Fantine dies, Cosette becomes Jean Valjean's adopted daughter; the Thénardiers, the unscrupulous innkeepers who thrive on cheating and stealing; Éponine, their young daughter who is hopelessly in love with Marius; Gavroche, a young beggar boy; and student leader Enjolras who plans the revolt to free the oppressed lower classes of France. The main characters are joined by an ensemble that includes prostitutes, student revolutionaries, factory workers, and others.
Among the most famous songs of this Tony award-winning musical are "I Dreamed a Dream", "One Day More", "A Heart Full of Love", "Stars", "Bring Him Home", "Do You Hear the People Sing?", "Master of the House", and "On My Own."
The musical is based on the 1862 novel Les Misérables by Victor Hugo. Set in early 19th century France, it follows the intertwining stories of a cast of characters as they struggle for redemption and revolution. The characters include a paroled convict named Jean Valjean who, failing attempts to find work as an honest man with his yellow ticket of leave, breaks his parole and conceals his identity; the police inspector Javert who becomes obsessed with finding Valjean; Fantine, the single mother who is forced to become a prostitute to support her daughter; Cosette, who eventually falls in love with a French student named Marius Pontmercy. After Fantine dies, Cosette becomes Jean Valjean's adopted daughter; the Thénardiers, the unscrupulous innkeepers who thrive on cheating and stealing; Éponine, their young daughter who is hopelessly in love with Marius; Gavroche, a young beggar boy; and student leader Enjolras who plans the revolt to free the oppressed lower classes of France. The main characters are joined by an ensemble that includes prostitutes, student revolutionaries, factory workers, and others.
Kiss Me, Kate
Kiss Me, Kate is a musical with music and lyrics by Cole Porter. It is structured as a play within a play, where the interior play is a musical version of The Taming of the Shrew.
Kiss Me, Kate was a comeback and a personal triumph for Cole Porter. After several successful musicals in the 1930s, notably Anything Goes, Du Barry Was a Lady, and Panama Hattie, he experienced an equestrian accident in 1937 that left him in constant pain. Following the accident, he continued to write songs and musicals but with limited success, and some thought he was past his prime. Kiss Me, Kate was a response to Rodgers and Hammerstein's Oklahoma! and other integrated musicals, and it proved to be his biggest hit and the only one of his shows to run for more than 1,000 performances on Broadway. It won the first Tony Award presented for Best Musical, in 1949.
Kiss Me, Kate was a comeback and a personal triumph for Cole Porter. After several successful musicals in the 1930s, notably Anything Goes, Du Barry Was a Lady, and Panama Hattie, he experienced an equestrian accident in 1937 that left him in constant pain. Following the accident, he continued to write songs and musicals but with limited success, and some thought he was past his prime. Kiss Me, Kate was a response to Rodgers and Hammerstein's Oklahoma! and other integrated musicals, and it proved to be his biggest hit and the only one of his shows to run for more than 1,000 performances on Broadway. It won the first Tony Award presented for Best Musical, in 1949.
Rent
Rent is a rock musical, with music and lyrics by Jonathan Larson based on Giacomo Puccini's opera La Bohème. It tells the story of a group of impoverished young artists and musicians struggling to survive and create in New York's Lower East Side in the thriving days of the Bohemian East Village, under the shadow of AIDS.
Rent won a Tony Award for Best Musical and a Pulitzer Prize, among other awards. In addition, its cast was unusually ethnically diverse. Rent brought controversial topics to a traditionally conservative medium, and it helped to increase the popularity of musical theater amongst the younger generation. "Rent speaks to Generation X the way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The musical was first seen at the New York Theatre Workshop in 1994. On January 26, 1996, Rent opened in New York City off-Broadway before moving to Broadway's Nederlander Theatre on April 29, 1996. Rent has been successful on Broadway, where it had critical acclaim and word-of-mouth popularity. The Broadway production of Rent closed on September 7, 2008 after a 12 year run and 5,124 performances, making it the seventh-longest-running Broadway show. The production has grossed over $280 million. At the time of its closing, it was the second-longest-running musical currently on Broadway, eight years behind The Phantom of the Opera.
Rent won a Tony Award for Best Musical and a Pulitzer Prize, among other awards. In addition, its cast was unusually ethnically diverse. Rent brought controversial topics to a traditionally conservative medium, and it helped to increase the popularity of musical theater amongst the younger generation. "Rent speaks to Generation X the way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The musical was first seen at the New York Theatre Workshop in 1994. On January 26, 1996, Rent opened in New York City off-Broadway before moving to Broadway's Nederlander Theatre on April 29, 1996. Rent has been successful on Broadway, where it had critical acclaim and word-of-mouth popularity. The Broadway production of Rent closed on September 7, 2008 after a 12 year run and 5,124 performances, making it the seventh-longest-running Broadway show. The production has grossed over $280 million. At the time of its closing, it was the second-longest-running musical currently on Broadway, eight years behind The Phantom of the Opera.