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Yoshihiro Ike
Yoshihiro Ike (池 頼広 Ike Yoshihiro, born August 25, 1963) is a Japanese composer, music arranger, and bassist. He is best known for his work on the background music on television series, video games, and Japanese animations. He has worked on more than 100 titles in the last 20 years. His most recognized composing works are AIBOU: Tokyo Detective Duo series (2002 - present), Kamichu! (2005), Kaseifu no Mita (2011), Tiger & Bunny (2011), Saint Seiya: Legend of Sanctuary (2014), Shadowverse (2016), B: The Beginning (2018), and Dororo (2019)
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Queen
Queen were an English rock band formed in 1970 in London by guitarist Brian May, lead vocalist Freddie Mercury, and drummer Roger Taylor, with bass guitarist John Deacon completing the lineup the following year. While it is uncertain how many albums the band has sold, estimations range from 130 million to over 300 million albums worldwide.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
Moritz Moszkowski
Moritz (Maurice) Moszkowski (23 August 1854 – 4 March 1925) was a German composer, pianist, and teacher of Polish descent. Ignacy Paderewski said, "After Chopin, Moszkowski best understands how to write for the piano". Although little known today, Moszkowski was well-respected and popular during the late nineteenth century.
His music is brilliant, but has also been described as "devoid of the masculine and the feminine". He wrote over two hundred small-scale piano pieces, which brought him much popularity – notably his set of Spanish Dances, Op. 12, for piano duet (later arranged for solo piano, and for orchestra ). His early Serenade, Op. 15, was world-famous and appeared in many guises, including the song Liebe, kleine Nachtigall. Today he is probably best known for his fifteen Études de Virtuosité, Op. 72, which have been performed by virtuoso pianists such as Vladimir Horowitz and Marc-André Hamelin. Surprisingly, their first complete recording was not until 1970 (by Ilana Vered). Many of his small but brilliant piano pieces, such as Étincelles (Sparks), are used as encore performances at the end of classical concerts.
He also wrote larger scale works including the Piano Concerto in E major, Op. 59 (1898), the Violin Concerto in C major, Op. 30, three orchestral suites (Opp. 39, 47, 79), and a symphonic poem Jeanne d'Arc, Op. 19.
He wrote the opera Boabdil der letzte Maurenkönig, Op. 49, on the historical theme of the capture of Granada. It was premiered at the Berlin Court Opera on 21 April 1892, and appeared in Prague and New York the following year. It did not stay in the repertoire, but its ballet music was very popular for a number of years. He wrote a three-act ballet Laurin in 1896.
His music is brilliant, but has also been described as "devoid of the masculine and the feminine". He wrote over two hundred small-scale piano pieces, which brought him much popularity – notably his set of Spanish Dances, Op. 12, for piano duet (later arranged for solo piano, and for orchestra ). His early Serenade, Op. 15, was world-famous and appeared in many guises, including the song Liebe, kleine Nachtigall. Today he is probably best known for his fifteen Études de Virtuosité, Op. 72, which have been performed by virtuoso pianists such as Vladimir Horowitz and Marc-André Hamelin. Surprisingly, their first complete recording was not until 1970 (by Ilana Vered). Many of his small but brilliant piano pieces, such as Étincelles (Sparks), are used as encore performances at the end of classical concerts.
He also wrote larger scale works including the Piano Concerto in E major, Op. 59 (1898), the Violin Concerto in C major, Op. 30, three orchestral suites (Opp. 39, 47, 79), and a symphonic poem Jeanne d'Arc, Op. 19.
He wrote the opera Boabdil der letzte Maurenkönig, Op. 49, on the historical theme of the capture of Granada. It was premiered at the Berlin Court Opera on 21 April 1892, and appeared in Prague and New York the following year. It did not stay in the repertoire, but its ballet music was very popular for a number of years. He wrote a three-act ballet Laurin in 1896.
kagamine len
Kagamine Rin & Len (Japanese: 鏡音リン・レン), sometimes referred to as Rin & Len Kagamine, are humanoid personas voiced by a singing synthesizer application developed by Crypton Future Media, headquartered in Sapporo, Japan. They use Yamaha Corporation's Vocaloid 2 and Vocaloid 4 singing synthesizing technology. Their voices are sampled by Asami Shimoda. They have performed at live concerts onstage as animated hologram projections
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Andrew Lippa
Andrew Lippa (December 22, 1964) is an American composer, lyricist, book writer, performer, and producer. He is a resident artist at the Ars Nova Theater in New York City.
Giuseppe Verdi
Giuseppe Verdi is the most famous Italian composer of the 19th century Italian opera school. He is one of the most staged opera composers in the world.
Real Book
The Real Book refers to compilations of lead sheets for jazz standards. It usually refers to the first volume of a series of books transcribed and collated by Berklee College of Music students during the 1970s.The name is derived from "fake books", so called because they contained only rough outlines of music pieces rather than fully notated scores. Early fake books were often used by professional bands who performed mostly standards, often more geared to society and dance bands rather than jazz ensembles, and devoted much space to show tunes, novelty tunes, traditional jazz, etc. The first three Real Book volumes, in contrast, contained many bebop and other jazz standards that were likely to be encountered on jazz gigs at the time. For this reason, the books were quickly adopted among jazz players in the 1970s, particularly on the east coast.
Traditional
Ben Folds
Benjamin Scott Folds (born September 12, 1966 in Winston-Salem, North Carolina) is an American singer and pianist. He originally gained fame as a member of the rock band, Ben Folds Five. Ben has released three solo albums: Fear of Pop: Volume 1, Rockin' the Suburbs, and Ben Folds Live. Fear of Pop was released while Ben Folds Five were still together; Suburbs and Live were released afterwards. Since Fear of Pop is highly experimental and Live is a collection of live solo recordings of mostly songs originally recorded with Ben Folds Five, Rockin' the Suburbs is Ben's first proper solo release. In late 2003 two solo EPs: Speed Graphic and Sunny 16 were released, with a third entitled Super D released in mid-2004. He currently resides in Adelaide, Australia with his wife, Frally Hynes, and two children, Louis and Grace. He tours Japan and the United States, as well as other parts of the world periodically.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Frederick Loewe
Frederick Loewe, was an Austrian-American composer. He collaborated with lyricist Alan Jay Lerner on a series of Broadway musicals, including My Fair Lady and Camelot, both of which were made into films.
Mussorgsky
Modest Petrovich Mussorgsky (March 21, 1839 – March 28, 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Takanashi Yasuharu
Yasuharu Takanashi is a prolific Japanese composer and arranger for anime and video game series. His anime composition credits include Beyblade G-Revolution, Hell Girl, Ikki Tousen, Naruto Shippuden, Fairy Tail, Shiki, and Sailor Moon Crystal.
Adolf von Henselt
Georg Martin Adolf von Henselt (9 or 12 May 1814 – 10 October 1889) was a German composer and virtuoso pianist.Henselt was born at Schwabach, in Bavaria. At the age of three he began to learn the violin, and at five the piano under Josephe von Flad (1778-1843), who had trained in composition with Franz Danzi, Abbé (George Joseph) Vogler, Joseph Graetz and studied piano with Franz Lauska (who later coached Meyerbeer, Felix and Fanny Mendelssohn). His concert debut was at the Odeon in Munich, where he played the opening Allegro to one of Mozart's C major concertos, a free fantasy with variations on a theme from Weber's Der Freischütz, and a rondo by Kalkbrenner
Malcolm Arnold
Sir Malcolm Henry Arnold CBE (21 October 1921 – 23 September 2006) was an English composer. His works feature music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. His style is tonal and rejoices in lively rhythms, brilliant orchestration, and an unabashed tunefulness. He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Handa Keisuke
Handa was born in 1974 in Japan. He started to take piano lessons and to study music at the age of 6. He was 9 years old when he wrote his own music.
raffaello rontani
Raffaello Rontani (né à Florence au xve siècle et mort à Rome en 1622) est un compositeur italien.
Dès 1610 Rontani est au service d'Antonio de Médicis à Florence et de 1616 à sa mort, maître de chapelle de San Giovanni dei Fiorentini, à Rome. En outre, il semble avoir servi au moins deux membres de la noblesse : il mentionne, notamment dans la dédicace de son opus 6 qu'il est « capo del... concerto » du duc Sforza1.
Dès 1610 Rontani est au service d'Antonio de Médicis à Florence et de 1616 à sa mort, maître de chapelle de San Giovanni dei Fiorentini, à Rome. En outre, il semble avoir servi au moins deux membres de la noblesse : il mentionne, notamment dans la dédicace de son opus 6 qu'il est « capo del... concerto » du duc Sforza1.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Pachelbel
Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Keiko Matsui
Keiko Matsui (松居慶子?), born in Tokyo as Keiko Doi on July 26, 1961 (or 1963), is a Japanese smooth jazz/new age/Chill-out music keyboardist and composer whose career spans three decades, during which time she has released twenty CDs (in addition to various compilations) and has received international acclaim.
Keiko and her husband Kazu Matsui (b. June 5, 1954) have two daughters, Maya (b. ca. 1988) and Mako (b. Sep 12, 1995).
Keiko and her husband Kazu Matsui (b. June 5, 1954) have two daughters, Maya (b. ca. 1988) and Mako (b. Sep 12, 1995).
Cascada
Cascada is a German Eurodance act most famous for their hit singles "Everytime We Touch" and "What Hurts The Most". Cascada consists of singer Natalie Horler, and producers DJ Manian and Yanou.
When Natalie Horler was 17, she was doing studio work for various DJs. Eventually; she met Yann Pfeiffer (stagename Yanou) and Manuel Reuter (stagename DJ Manian). Originally, they released music under the name Cascade, but due to another artist with a similar name threatening a suit, they changed it to Cascada. Under Andorfine Records, they produced their debut and hit single, "Miracle", and its follow-up, "Bad Boy", in Germany. This caught the attention of American dance label, Robbins Entertainment. They negotiated a contract and "Miracle" was released in 2004.
When Natalie Horler was 17, she was doing studio work for various DJs. Eventually; she met Yann Pfeiffer (stagename Yanou) and Manuel Reuter (stagename DJ Manian). Originally, they released music under the name Cascade, but due to another artist with a similar name threatening a suit, they changed it to Cascada. Under Andorfine Records, they produced their debut and hit single, "Miracle", and its follow-up, "Bad Boy", in Germany. This caught the attention of American dance label, Robbins Entertainment. They negotiated a contract and "Miracle" was released in 2004.
The Fray
The Fray is a Grammy Award-nominated four-piece piano rock American band from Denver, Colorado. Formed in 2002 by schoolmates Isaac Slade and Joe King, the band released their debut album How to Save a Life in 2005. The band is best known for the song "How to Save a Life", which charted in the top three of the Billboard Hot 100 and was also a top 5 single in Canada, Australia, Ireland, Sweden, and the United Kingdom. The Fray also found national success with the song "Over My Head (Cable Car)", which became a top ten hit in the United States and Canada. How to Save a Life was certified double platinum by the Recording Industry Association of America and was also certified platinum in Australia and New Zealand.
The Fray was formed in 2002, and currently consists of Isaac Slade (vocals and piano), Joe King (guitar and vocals), Dave Welsh (guitar) and Ben Wysocki (drums and percussion). While the band has no official bass guitarist, Dan Lavery of Tonic has been the touring bassist since March 2007. Prior to Dan joining the touring fold, Jimmy Stofer, also a member of the band Hello Kavita, was employed as the band's touring bassist from 2005 through February 2007.
The Fray was formed in 2002, and currently consists of Isaac Slade (vocals and piano), Joe King (guitar and vocals), Dave Welsh (guitar) and Ben Wysocki (drums and percussion). While the band has no official bass guitarist, Dan Lavery of Tonic has been the touring bassist since March 2007. Prior to Dan joining the touring fold, Jimmy Stofer, also a member of the band Hello Kavita, was employed as the band's touring bassist from 2005 through February 2007.
Edwin R Hawkins
Edwin Reuben Hawkins (August 19, 1943 – January 15, 2018) was an American gospel musician, pianist, choir master, composer, and arranger. He was one of the originators of the urban contemporary gospel sound. He (as leader of the Edwin Hawkins Singers) was probably best known for his arrangement of "Oh Happy Day" (1968–69), which was included on the "Songs of the Century" list. The Edwin Hawkins Singers made a second foray into the charts exactly one year later, backing folk singer Melanie on "Lay Down (Candles in the Rain)".
Athur Laurent
Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
vte
Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
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Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
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Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
Leslie Wagle
she is a female musician doing new age arrangements and cover music.
Matt Roberts
Matt Roberts Musician Born: January 10, 1978, Escatawpa, Mississippi, United States Died: August 20, 2016, West Bend, Wisconsin, United States Songs Kryptonite The Better Life · 2000 When I'm Gone The Better Life · 2000 It’s Not My Time
3 Doors Down · 2008
3 Doors Down · 2008
U2
U2 are a rock band from Dublin, Ireland. The band consists of Bono (vocals and guitar), The Edge (guitar, keyboards, and vocals), Adam Clayton (bass guitar) and Larry Mullen, Jr. (drums and percussion).
The band formed in 1976 when the members were teenagers with limited musical proficiency. By the mid-1980s, however, the band had become a top international act, noted for their anthemic sound, Bono's impassioned vocals, and The Edge's textural guitar playing. Their success as a live act was greater than their success at selling records until their 1987 album The Joshua Tree increased the band's stature "from heroes to superstars," according to Rolling Stone. U2 responded to the dance and alternative rock revolutions, and their own sense of musical stagnation by reinventing themselves with their 1991 album Achtung Baby and the accompanying Zoo TV Tour. Similar experimentation continued for the rest of the 1990s. Since 2000, U2 have pursued a more traditional sound that retains the influence of their previous musical explorations.
U2 have sold more than 140 million albums worldwide and have won 22 Grammy Awards, more than any other band. In 2005, the band were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone magazine listed U2 at #22 in its list of the 100 greatest artists of all time. Throughout their career, as a band and as individuals, they have campaigned for human rights and social justice causes, including Amnesty International, the ONE Campaign, and Bono's DATA (Debt, AIDS, Trade in Africa) campaign.
The band formed in 1976 when the members were teenagers with limited musical proficiency. By the mid-1980s, however, the band had become a top international act, noted for their anthemic sound, Bono's impassioned vocals, and The Edge's textural guitar playing. Their success as a live act was greater than their success at selling records until their 1987 album The Joshua Tree increased the band's stature "from heroes to superstars," according to Rolling Stone. U2 responded to the dance and alternative rock revolutions, and their own sense of musical stagnation by reinventing themselves with their 1991 album Achtung Baby and the accompanying Zoo TV Tour. Similar experimentation continued for the rest of the 1990s. Since 2000, U2 have pursued a more traditional sound that retains the influence of their previous musical explorations.
U2 have sold more than 140 million albums worldwide and have won 22 Grammy Awards, more than any other band. In 2005, the band were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone magazine listed U2 at #22 in its list of the 100 greatest artists of all time. Throughout their career, as a band and as individuals, they have campaigned for human rights and social justice causes, including Amnesty International, the ONE Campaign, and Bono's DATA (Debt, AIDS, Trade in Africa) campaign.
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Radiohead
Radiohead are an English alternative rock band from Oxfordshire. The band is composed of Thom Yorke (lead vocals, rhythm guitar, piano, electronics), Jonny Greenwood (lead guitar, other instruments), Ed O'Brien (guitar, backing vocals), Colin Greenwood (bass guitar, synthesisers) and Phil Selway (drums, percussion). Since 1993, Radiohead have released seven studio albums. The band have sold over 25 million albums as of 2007.
Radiohead released their first single, "Creep", in 1992. Their debut album, Pablo Honey, followed in 1993. "Creep" was initially unsuccessful, but the song became a worldwide hit when reissued a year later, and the band were almost branded as one hit wonders. Radiohead's popularity in the United Kingdom increased with the release of their second album, The Bends (1995). The band's textured guitar atmospheres and Yorke's falsetto singing were warmly received by critics and fans. Radiohead's third album, OK Computer (1997), propelled the band to greater fame worldwide. Featuring an expansive sound and themes of alienation from the modern world, OK Computer has often been acclaimed as a landmark record of the 1990s.
The release of Kid A (2000) and Amnesiac (2001) saw Radiohead reach the peak of their popularity, although the albums divided critical opinion. This period marked a change in Radiohead's musical style, with their incorporation of avant-garde electronic music, Krautrock and jazz influences. Hail to the Thief (2003), which mixed guitar-driven rock with electronics and contemporary lyrics, was the band's final album for their record label, EMI. Radiohead's seventh album, In Rainbows (2007), was first released independently as a digital download for which customers selected their own price, later meeting with critical and chart success.
Radiohead released their first single, "Creep", in 1992. Their debut album, Pablo Honey, followed in 1993. "Creep" was initially unsuccessful, but the song became a worldwide hit when reissued a year later, and the band were almost branded as one hit wonders. Radiohead's popularity in the United Kingdom increased with the release of their second album, The Bends (1995). The band's textured guitar atmospheres and Yorke's falsetto singing were warmly received by critics and fans. Radiohead's third album, OK Computer (1997), propelled the band to greater fame worldwide. Featuring an expansive sound and themes of alienation from the modern world, OK Computer has often been acclaimed as a landmark record of the 1990s.
The release of Kid A (2000) and Amnesiac (2001) saw Radiohead reach the peak of their popularity, although the albums divided critical opinion. This period marked a change in Radiohead's musical style, with their incorporation of avant-garde electronic music, Krautrock and jazz influences. Hail to the Thief (2003), which mixed guitar-driven rock with electronics and contemporary lyrics, was the band's final album for their record label, EMI. Radiohead's seventh album, In Rainbows (2007), was first released independently as a digital download for which customers selected their own price, later meeting with critical and chart success.
John Rutter
John Milford Rutter CBE (born 24 September 1945) is a British composer, conductor, editor, arranger and record producer, mainly of choral music.
Shinedown
Shinedown is an American rock band from Jacksonville, Florida, formed by singer Brent Smith in 2001 after the dissolution of Dreve, his previous band.
Adler and Ross
Adler & Ross Musical artist Songs Those Were The Good Old Days! The Game I'll Never Be Jealous Again.
Stephen Stills
Stephen Arthur Stills is an American musician, singer and songwriter best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums.
Yuri Broze
High school and UNC Chapel Hill formed me into a biochemist. A stint in medical school at UMich Ann Arbor got me further invested in questions of people's relationships with the world. In 2013 I finished up graduate training in Statistics and Music Theory at the Cognitive and Systematic Musicology Laboratory under the incomparable tutelage of David Huron.
Takahito Eguchi
Takahito Eguchi is a Japanese composer, orchestrator, and musician. He is best known for collaborating with Noriko Matsueda on Final Fantasy X-2 and with Tomoya Ohtani on several Sonic the Hedgehog games. Eguchi became interested in music when he was six years old after hearing his neighbor playing the piano.
Paolo Tosti
Sir Paolo Tosti (April 9, 1846 – December 2, 1916) was an Italian, later British, composer and music teacher.
Tosti's songs are characterized by natural, singable melodies and sweet sentimentality. He is also known for his editions of Italian folk songs entitled "Canti popoliari Abruzzesi". Tosti is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata (lyrics: Cesareo), Goodbye (lyrics: George J. Whyte Mellville) which is sometimes performed in Italian as Addio (lyrics: Rizzelli), and the popular Neapolitan song, Marechiare, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore Di Giacomo.
As a composer, Tosti is exceptional. Since the beginning of the recording era, numerous recording artists specializing in classical Italian repertoire have recorded Tosti songs, yet Tosti never composed opera. Notable examples on recording include Alessandro Moreschi (the only castrato who ever recorded) singing "Ideale", Nellie Melba singing "Mattinata" and Jussi Björling singing "L'alba separa dalla luce l'ombra".
Tosti's songs are characterized by natural, singable melodies and sweet sentimentality. He is also known for his editions of Italian folk songs entitled "Canti popoliari Abruzzesi". Tosti is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata (lyrics: Cesareo), Goodbye (lyrics: George J. Whyte Mellville) which is sometimes performed in Italian as Addio (lyrics: Rizzelli), and the popular Neapolitan song, Marechiare, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore Di Giacomo.
As a composer, Tosti is exceptional. Since the beginning of the recording era, numerous recording artists specializing in classical Italian repertoire have recorded Tosti songs, yet Tosti never composed opera. Notable examples on recording include Alessandro Moreschi (the only castrato who ever recorded) singing "Ideale", Nellie Melba singing "Mattinata" and Jussi Björling singing "L'alba separa dalla luce l'ombra".
Original Broadway Cast
Original Broadway Cast Musical group Musicals Record labels: Capitol Records, RCA Records, Geffen Records, MORE
Awards: Grammy Award for Best Musical Theater Album Songs Carrying The Banner Newsies (Original Broadway Cast Recording) · 2017 This World Will Remember Us Bonnie & Clyde · 2012 Brooklyn's Here Newsies (Original Broadway Cast Recording) ·
Awards: Grammy Award for Best Musical Theater Album Songs Carrying The Banner Newsies (Original Broadway Cast Recording) · 2017 This World Will Remember Us Bonnie & Clyde · 2012 Brooklyn's Here Newsies (Original Broadway Cast Recording) ·
Michael Buble
Michael Steven Bublé (born 9 September 1975) is a Canadian big band singer. He won several awards, including a Grammy and multiple Juno Awards. While achieving modest chart success in the United States, his 2003 self-titled album has reached the top ten in Lebanon, the UK and his home country. However, he did find commercial success in the U.S. with his 2005 album It's Time. He has sold over 18 million albums. Michael has also appeared on the TV series Rove four times.
The album Michael Bublé was released by Warner Bros. Records just before Valentine's Day in 2003. The album was actually first released by the Warner company in South Africa, where the album went into the Top 5 and was certified Gold. Soon after that, it entered the Canadian album charts. As success in the USA was marginal at best, Bublé started visiting countries all over the world, with the album being successful in places like the Philippines and Singapore. He then moved on to placed like Italy and eventually had chart success in the UK, U.S., Australia and elsewhere soon followed with the album going Platinum and reaching the top ten of the album charts in the UK and Canada and going all the way to #1 in Australia. The album has reached the top 50 of the Billboard 200 album charts in the U.S. His version of George Michael's "Kissing a Fool" was released as a single from the album and reached the top 30 of the Billboard Hot Adult Contemporary Tracks chart. "How Can You Mend a Broken Heart?" reached the top 30 of the Billboard Adult Contemporary chart as well. His third single "Sway" also reached the top 30 of the Adult Contemporary chart, while a Junkie XL remix of the song reached the top 20 in Australia in May 2004.
Bublé's second studio album, It's Time, debuted as a hugely successful performance. The album reached number 7 on the Billboard 200 album chart and number 2 on the ARIA Album Charts in Australia. It's Time also debuted at number 4 on the UK Album Charts. The album features covers of Beatles and Ray Charles songs, and the hit single "Home".
The album Michael Bublé was released by Warner Bros. Records just before Valentine's Day in 2003. The album was actually first released by the Warner company in South Africa, where the album went into the Top 5 and was certified Gold. Soon after that, it entered the Canadian album charts. As success in the USA was marginal at best, Bublé started visiting countries all over the world, with the album being successful in places like the Philippines and Singapore. He then moved on to placed like Italy and eventually had chart success in the UK, U.S., Australia and elsewhere soon followed with the album going Platinum and reaching the top ten of the album charts in the UK and Canada and going all the way to #1 in Australia. The album has reached the top 50 of the Billboard 200 album charts in the U.S. His version of George Michael's "Kissing a Fool" was released as a single from the album and reached the top 30 of the Billboard Hot Adult Contemporary Tracks chart. "How Can You Mend a Broken Heart?" reached the top 30 of the Billboard Adult Contemporary chart as well. His third single "Sway" also reached the top 30 of the Adult Contemporary chart, while a Junkie XL remix of the song reached the top 20 in Australia in May 2004.
Bublé's second studio album, It's Time, debuted as a hugely successful performance. The album reached number 7 on the Billboard 200 album chart and number 2 on the ARIA Album Charts in Australia. It's Time also debuted at number 4 on the UK Album Charts. The album features covers of Beatles and Ray Charles songs, and the hit single "Home".
Hermeto Pascoal
Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orchestration and improvisation, as well as being a record producer and contributor to many Brazilian and international albums.
ART DAVIS
Arthur David Davis was a double-bassist, known for his work with Thelonious Monk, John Coltrane, Dizzy Gillespie, McCoy Tyner and Max Roach.
Mars Bonfire
Dennis Edmonton, also known by the stage name Mars Bonfire, is a Canadian rock musician and songwriter, best known for writing the hit song "Born to Be Wild" for Steppenwolf.
Jake Dickerson
Jake Dickerson. Musician/band. Composer, Pianist, Music Teacher.
BoA
Boa Kwon (born November 5, 1986 in Gyeonggi-do, South Korea), commonly known by her stage name BoA, is a multilingual Korean singer. She has been active in both South Korea and Japan. Aside from her native Korean, BoA also speaks Japanese and conversational English She has also released a number of Chinese songs, although she is not able to speak the language itself.
BoA has achieved great commercial success, particularly in South Korea and Japan where she has claimed four number one studio albums in Korea and six in Japan. The release of The Face made BoA only one of two artists in J-pop history to top the Oricon Weekly Album Charts six consecutive times, with the other being Ayumi Hamasaki who currently has eight consecutive number one albums.
BoA has achieved great commercial success, particularly in South Korea and Japan where she has claimed four number one studio albums in Korea and six in Japan. The release of The Face made BoA only one of two artists in J-pop history to top the Oricon Weekly Album Charts six consecutive times, with the other being Ayumi Hamasaki who currently has eight consecutive number one albums.
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Selena Gomez
Selena Marie Gomez (born July 22, 1992) is an American singer and actress. Gomez first made her debut appearing as Gianna in Barney & Friends, lasting from 2002 to 2004. Following this, Gomez had cameo roles in films such as Spy Kids 3-D: Game Over (2003) and Walker, Texas Ranger: Trial by Fire (2005). In 2006, Gomez appeared as a guest star on an episode of the Disney Channel series The Suite Life of Zack and Cody, as well as Hannah Montana. Following this, Gomez starred in the Disney Channel television series Wizards of Waverly Place. The series was a critical and commercial success, earning Gomez numerous awards and nominations. Gomez later appeared in numerous Disney Channel series and films including Jonas Brothers: Living the Dream (2008) and Disney Channel Games (2008). In 2009, Gomez appeared in the films Princess Protection Program and Wizards of Waverly Place: The Movie before releasing her first studio album as Selena Gomez & the Scene, titled Kiss & Tell. The album was a commercial success, peaking inside the Top 10 of the Billboard 200.
Franz Danzi
Franz Ignaz Danzi (June 15, 1763 – April 13, 1826) was a German cellist, composer and conductor, the son of the Italian cellist Innocenz Danzi (1730–98), and brother of the noted singer Franzeska Danzi. Born in Schwetzingen, Franz Danzi worked in Mannheim, Munich, Stuttgart and Karlsruhe, where he died.
Cy Coleman
Cy Coleman (June 14, 1929 - November 18, 2004) was an American composer, songwriter, and jazz pianist.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball. The score included the hit tune "Hey Look Me Over" (which was later adapted into one of LSU's school songs, "Hey, Fightin' Tigers"). When Ball became ill she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel by Patrick Dennis (Auntie Mame). The show introduced Real Live Girl and I've Got Your Number, which became popular standards.
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered, "Thank God somebody asked". Fields was revitalised by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs If My Friends Could See Me Now, I'm a Brass Band and Hey, Big Spender. The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour. Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On The Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close. Later in the decade, he collaborated on Welcome to the Club (1988) with A.E. Hotchner, and City of Angels (1989) with David Zippel. In the latter, inspired by the hard-boiled detective film noir of the 1930s and '40s, he returned to his jazz roots, and the show was a huge critical and commercial success.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball. The score included the hit tune "Hey Look Me Over" (which was later adapted into one of LSU's school songs, "Hey, Fightin' Tigers"). When Ball became ill she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel by Patrick Dennis (Auntie Mame). The show introduced Real Live Girl and I've Got Your Number, which became popular standards.
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered, "Thank God somebody asked". Fields was revitalised by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs If My Friends Could See Me Now, I'm a Brass Band and Hey, Big Spender. The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour. Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On The Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close. Later in the decade, he collaborated on Welcome to the Club (1988) with A.E. Hotchner, and City of Angels (1989) with David Zippel. In the latter, inspired by the hard-boiled detective film noir of the 1930s and '40s, he returned to his jazz roots, and the show was a huge critical and commercial success.
Neal Hefti
Neal Paul Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, and arranger. He wrote music for The Odd Couple movie and TV series and for the Batman TV series.He began arranging professionally in his teens, when he wrote charts for Nat Towles. He became a prominent composer and arranger while playing trumpet for Woody Herman; while working for Herman he provided arrangements for "Woodchopper's Ball" and "Blowin' Up a Storm" and composed "The Good Earth" and "Wild Root". After leaving Herman's band in 1946, Hefti concentrated on arranging and composing, although he occasionally led his own bands.
Sari Simorangkir
Basari Frida Mardani Simorangkir is an Indonesian contemporary Christian music singer and songwriter. She is commonly called "Sari". She is best known as one of the True Worshippers vocalists. Gifted with enormous singing talent, Sari has released many solo albums and many other records with various different artists.
Sun Ye
Min Sun-ye, known professionally as Sunye or Sun, is a South Korean singer, actress and missionary. She is the former leader and main vocalist of the K-pop group Wonder Girls.
Jason Ingram
Jason David Ingram is an American Christian music producer and songwriter. He has been a songwriter for many Christian artists, including Bebo Norman and Point of Grace.
