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L. V. Beethoven
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
F. Schubert
David Shaffer
David Shaffer (b. 10 September 1953, Columbus, Ohio) is an American composer. Mr. Shaffer attended Grove City High School, Grove City, Ohio. He holds a bachelor's degree from The Ohio State University and a Master of Music degree from Miami University (Ohio).
Anthems
Anonymous
Easy piano sheets to teach kids how to play piano.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Ben Folds
Benjamin Scott Folds (born September 12, 1966 in Winston-Salem, North Carolina) is an American singer and pianist. He originally gained fame as a member of the rock band, Ben Folds Five. Ben has released three solo albums: Fear of Pop: Volume 1, Rockin' the Suburbs, and Ben Folds Live. Fear of Pop was released while Ben Folds Five were still together; Suburbs and Live were released afterwards. Since Fear of Pop is highly experimental and Live is a collection of live solo recordings of mostly songs originally recorded with Ben Folds Five, Rockin' the Suburbs is Ben's first proper solo release. In late 2003 two solo EPs: Speed Graphic and Sunny 16 were released, with a third entitled Super D released in mid-2004. He currently resides in Adelaide, Australia with his wife, Frally Hynes, and two children, Louis and Grace. He tours Japan and the United States, as well as other parts of the world periodically.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Tom Lehrer
Thomas Andrew "Tom" Lehrer (born April 9, 1928) is an American singer-songwriter, satirist, pianist, and mathematician. He has lectured on mathematics and musical theater. Lehrer is best known for the pithy, humorous songs he recorded in the 1950s and 1960s.
His work often parodies popular song forms, such as in "The Elements", where he sets the names of the chemical elements to the tune of the "Major-General's Song" from Gilbert and Sullivan's Pirates of Penzance. Lehrer's earlier work typically dealt with non-topical subject matter and was noted for its black humor, seen in songs such as "Poisoning Pigeons in the Park". In the 1960s, he produced a number of songs dealing with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was The Week That Was.
In the early 1970s he retired from public performances to devote his time to teaching mathematics and music theatre at UCSC. He did two additional performances in 1998 at a London gala show celebrating the career of impresario Cameron Mackintosh.
His work often parodies popular song forms, such as in "The Elements", where he sets the names of the chemical elements to the tune of the "Major-General's Song" from Gilbert and Sullivan's Pirates of Penzance. Lehrer's earlier work typically dealt with non-topical subject matter and was noted for its black humor, seen in songs such as "Poisoning Pigeons in the Park". In the 1960s, he produced a number of songs dealing with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was The Week That Was.
In the early 1970s he retired from public performances to devote his time to teaching mathematics and music theatre at UCSC. He did two additional performances in 1998 at a London gala show celebrating the career of impresario Cameron Mackintosh.
Carl Orff
Carl Orff (July 10, 1895 – March 29, 1982) was a 20th-century German composer, best known for his cantata Carmina Burana (1937). In addition to his career as a composer, Orff developed an influential method of music education for children.
Orff is most known for Carmina Burana (1937), a "scenic cantata". It is the first of a trilogy that also includes Catulli Carmina and Trionfo di Afrodite. Carmina Burana reflected his interest in medieval German poetry. Together the trilogy is called Trionfi, or "Triumphs". The composer described it as the celebration of the triumph of the human spirit through sexual and holistic balance. The work was based on thirteenth-century poetry found in a manuscript dubbed the Codex latinus monacensis found in the Benedictine monastery of Benediktbeuern in 1803 and written by the Goliards; this collection is also known as Carmina Burana. While "modern" in some of his compositional techniques, Orff was able to capture the spirit of the medieval period in this trilogy, with infectious rhythms and easy tonalities. The medieval poems, written in Latin and an early form of German, are often racy, but without descending into smut. "Fortuna Imperatrix Mundi", commonly known as "O Fortuna", from Carmina Burana is often used to denote primal forces, for example in the Oliver Stone movie The Doors.. The work's association with fascism also led Pier Paolo Pasolini to use the movement "Veris Leta Facies" to accompany the concluding scenes of torture and murder in his final film Salò, or the 120 Days of Sodom.
With the success of Carmina Burana, Orff disowned all of his previous works except for Catulli Carmina and the Entrata (an orchestration of "The Bells" by William Byrd (1539–1623)), which were rewritten until acceptable by Orff. As an historical aside, Carmina Burana is probably the most famous piece of music composed and premiered in Nazi Germany. Carmina Burana was in fact so popular that Orff received a commission in Frankfurt to compose incidental music for A Midsummer Night's Dream, which was supposed to replace the banned music by Mendelssohn. After the war, he claimed not to be satisfied with the music and reworked it into the final version that was first performed in 1964.
Orff is most known for Carmina Burana (1937), a "scenic cantata". It is the first of a trilogy that also includes Catulli Carmina and Trionfo di Afrodite. Carmina Burana reflected his interest in medieval German poetry. Together the trilogy is called Trionfi, or "Triumphs". The composer described it as the celebration of the triumph of the human spirit through sexual and holistic balance. The work was based on thirteenth-century poetry found in a manuscript dubbed the Codex latinus monacensis found in the Benedictine monastery of Benediktbeuern in 1803 and written by the Goliards; this collection is also known as Carmina Burana. While "modern" in some of his compositional techniques, Orff was able to capture the spirit of the medieval period in this trilogy, with infectious rhythms and easy tonalities. The medieval poems, written in Latin and an early form of German, are often racy, but without descending into smut. "Fortuna Imperatrix Mundi", commonly known as "O Fortuna", from Carmina Burana is often used to denote primal forces, for example in the Oliver Stone movie The Doors.. The work's association with fascism also led Pier Paolo Pasolini to use the movement "Veris Leta Facies" to accompany the concluding scenes of torture and murder in his final film Salò, or the 120 Days of Sodom.
With the success of Carmina Burana, Orff disowned all of his previous works except for Catulli Carmina and the Entrata (an orchestration of "The Bells" by William Byrd (1539–1623)), which were rewritten until acceptable by Orff. As an historical aside, Carmina Burana is probably the most famous piece of music composed and premiered in Nazi Germany. Carmina Burana was in fact so popular that Orff received a commission in Frankfurt to compose incidental music for A Midsummer Night's Dream, which was supposed to replace the banned music by Mendelssohn. After the war, he claimed not to be satisfied with the music and reworked it into the final version that was first performed in 1964.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Sting & The Police
The Police were an English rock trio, from London, England, formed originally in 1977. The trio consisted of Sting (lead vocals, bass guitar), Andy Summers (guitar, vocals) and Stewart Copeland (drums, vocals, percussion). The band became globally popular in the late 1970s and are generally regarded as one of the first New Wave groups to achieve mainstream success, playing a style of rock that was influenced by jazz, punk and reggae music. Their 1983 album, Synchronicity, was number one in the UK and the US and sold over 8,000,000 copies in the US. The band broke up in 1984, but reunited in early 2007 for a one-off world tour lasting until August 2008, in celebration of the 30th anniversary of their hit single "Roxanne" and also, to a lesser extent, that of their formation as a group. The Police have sold more than 50 million albums worldwide, and became the world's highest-earning musicians in 2008, thanks to their reunion tour. Rolling Stone ranked The Police number 70 on their list of the 100 Greatest Artists of All Time.
Tenmon
Tenmon (天門), born Atsushi Shirakawa (白川 篤史, Shirakawa Atsushi), is a Japanese music composer from Tokyo, Japan born October 4, 1971. He worked in the Nihon Falcom Corporation as one of the members of Falcom Sound Team J.D.K.. During his time with Falcom, he has composed much music for Falcom games, most notably Brandish.
Having known Makoto Shinkai as a coworker in Minori he has composed music for Shinkai's works since She and Her Cat. He is perhaps best known for creating the soundtracks for Shinkai's subsequent works, Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters Per Second and his final Shinkai collaboration being Children Who Chase Lost Voices from Deep Below.
Having known Makoto Shinkai as a coworker in Minori he has composed music for Shinkai's works since She and Her Cat. He is perhaps best known for creating the soundtracks for Shinkai's subsequent works, Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters Per Second and his final Shinkai collaboration being Children Who Chase Lost Voices from Deep Below.
Ragnarok Online
Ragnarok Online (Korean: 라그나로크 온라인, alternatively subtitled The Final Destiny of the Gods), often referred to as RO, is a massively multiplayer online role-playing game or MMORPG created by GRAVITY Co., Ltd. based on the manhwa Ragnarok by Lee Myung-jin. It was first released in South Korea on 31 August 2002 for Microsoft Windows and has since been released in many other locales around the world. Its style and settings have been influenced by a wide variety of international cultures. The game has spawned an animated series, Ragnarok the Animation, and a sequel game, Ragnarok Online 2: Legend of The Second, is in development. Player characters exist in a world with a player environment that gradually changes with the passage of time. Major changes in the features and history of the world take place as episodes in the RO timeline. Player characters interact in a 3D environment but are represented by 2D character sprites for front, back, side and diagonal facings.
Jerry Goldsmith
Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor.
He is considered as one of the most prominent and prolific film composers of the 20th century. Goldsmith worked in various film and television genres, but is commonly associated with action, science fiction, fantasy, and horror films. He was nominated for five Grammy Awards, nine Golden Globes, four BAFTAs and seventeen Academy Awards, but only received one Oscar for The Omen in 1976.
A list of his distinguished film scores, most of which were Oscar nominated, include Freud, A Patch of Blue, The Blue Max, The Sand Pebbles, Planet of the Apes, Patton, Escape from the Planet of the Apes, Papillon, Chinatown, The Wind and the Lion, The Omen, Logan's Run, Islands in the Stream (acknowledged by Goldsmith as his own personal favorite), The Boys from Brazil, Capricorn One, Alien, The First Great Train Robbery, Star Trek: The Motion Picture, Poltergeist, Twilight Zone: The Movie, Lionheart, The Russia House, First Blood, Rambo: First Blood Part II, Rambo III, Total Recall, Medicine Man, Basic Instinct, Hoosiers, The Edge, The 13th Warrior, The Mummy, and Rudy. Goldsmith's Oscar-nominated score for Under Fire (1983) prominently featured solo guitar work by Pat Metheny. Of all the scores he wrote, Goldsmith has said that Basic Instinct was the hardest and most complex, according to a mini-documentary on the special edition DVD.
He is considered as one of the most prominent and prolific film composers of the 20th century. Goldsmith worked in various film and television genres, but is commonly associated with action, science fiction, fantasy, and horror films. He was nominated for five Grammy Awards, nine Golden Globes, four BAFTAs and seventeen Academy Awards, but only received one Oscar for The Omen in 1976.
A list of his distinguished film scores, most of which were Oscar nominated, include Freud, A Patch of Blue, The Blue Max, The Sand Pebbles, Planet of the Apes, Patton, Escape from the Planet of the Apes, Papillon, Chinatown, The Wind and the Lion, The Omen, Logan's Run, Islands in the Stream (acknowledged by Goldsmith as his own personal favorite), The Boys from Brazil, Capricorn One, Alien, The First Great Train Robbery, Star Trek: The Motion Picture, Poltergeist, Twilight Zone: The Movie, Lionheart, The Russia House, First Blood, Rambo: First Blood Part II, Rambo III, Total Recall, Medicine Man, Basic Instinct, Hoosiers, The Edge, The 13th Warrior, The Mummy, and Rudy. Goldsmith's Oscar-nominated score for Under Fire (1983) prominently featured solo guitar work by Pat Metheny. Of all the scores he wrote, Goldsmith has said that Basic Instinct was the hardest and most complex, according to a mini-documentary on the special edition DVD.
Mikael Tariverdiev
Mikael Tariverdiev (Russian: Микаэл Таривердиев; (15 August 1931, Tbilisi, Georgia - 24 June 1996, Sochi, Russia) was a prominent Soviet composer of Armenian descent. He headed the Composers' Guild of Soviet Cinematographers' Union from its inception.
He was born in Tbilisi, Georgian SSR to Armenian parents, but lived and worked in Russia. He graduated from Moscow Gnessin Institute (in the class of Aram Khachaturian).
He is an author of over 100 romances and 4 operas, including the comic opera Graf Cagliostro and monoopera "The Waiting". But he is best known for his music in many popular Soviet movies (more than 130 films, included "Seventeen Moments of Spring" and "The Irony of Fate" - see List of film music by Mikael Tariverdiev).
Mikael Tariverdiev was a recipient of many awards, including the USSR State Prize (1977) and the Prize of the American Music Academy (1975). He was awarded a title People's Artist of Russia in 1986. He won three Nika Awards for Best Composer in the 1990s.
The Best Music prize at the largest Russian National Film Festival Kinotaur is named after Tariverdiev. After the Tariverdiev's death a group of admirers of his music organized the Mikael Tariverdiev Charity Fund and Tariverdiev International Organ Competition.
He was born in Tbilisi, Georgian SSR to Armenian parents, but lived and worked in Russia. He graduated from Moscow Gnessin Institute (in the class of Aram Khachaturian).
He is an author of over 100 romances and 4 operas, including the comic opera Graf Cagliostro and monoopera "The Waiting". But he is best known for his music in many popular Soviet movies (more than 130 films, included "Seventeen Moments of Spring" and "The Irony of Fate" - see List of film music by Mikael Tariverdiev).
Mikael Tariverdiev was a recipient of many awards, including the USSR State Prize (1977) and the Prize of the American Music Academy (1975). He was awarded a title People's Artist of Russia in 1986. He won three Nika Awards for Best Composer in the 1990s.
The Best Music prize at the largest Russian National Film Festival Kinotaur is named after Tariverdiev. After the Tariverdiev's death a group of admirers of his music organized the Mikael Tariverdiev Charity Fund and Tariverdiev International Organ Competition.